The trademark Lydon humour is evident on this grinding, swollen 1979 PIL album. The masterly Albatross is like a precursor to a riot with discontent throbbing and pulsing throughout. Memories is a bitter love song, Swan Lake an entertaining and dysfunctional appraisal of high culture. Pop Tones, with a bass line that surely influenced Fugazi, gnaws and spits at your notion of British countryside; a sonic allegory for inner city post punk escapism. Lydon uses that playground villain voice to mocking effect on The Suit and Bad Baby, while the lyrical simplicity in all the songs strengthens the overall sense of a dislocated generation. As an innovator, Lydon's inventiveness throughout his career means that this album is not easy listening. It is an engaging record, and although it occasionally seems musically melancholic, the whole album is ultimately a superb experience in conceptual music making.