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Seasons Of My Soul Enhanced

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Image of album by Rumer


Image of Rumer


Rumer was born and spent the very early years of her life in Pakistan. Her father was the chief-engineer involved in the construction of the enormous Tarbela Dam, 30 miles to the northwest of Islamabad. Previously, the job had taken him, together with his young family, to the Western Australian outback and Tasmania as well as to South Africa. Rumer was the youngest of seven children who found ... Read more in Amazon's Rumer Store

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for 8 albums, 11 photos, 5 videos, discussions, and more.

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Seasons Of My Soul + Boys Don't Cry + Slow
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Product details

  • Audio CD (1 Nov. 2010)
  • Number of Discs: 1
  • Format: Enhanced
  • Label: ATLANTIC
  • ASIN: B003YM5X1C
  • Other Editions: Audio CD  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (339 customer reviews)
  • Amazon Bestsellers Rank: 552 in Music (See Top 100 in Music)

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
Listen  1. Am I Forgiven? 3:30£0.99  Buy MP3 
Listen  2. Come To Me High 2:49£0.99  Buy MP3 
Listen  3. Slow 3:36Album Only
Listen  4. Take Me As I Am 3:45£0.99  Buy MP3 
Listen  5. Aretha 3:15£0.99  Buy MP3 
Listen  6. Saving Grace 3:20£0.99  Buy MP3 
Listen  7. Thankful 3:35£0.99  Buy MP3 
Listen  8. Healer 3:15£0.99  Buy MP3 
Listen  9. Blackbird 3:54£0.99  Buy MP3 
Listen10. On My Way Home 4:30£0.99  Buy MP3 
Listen11. Goodbye Girl 3:31£0.99  Buy MP3 

Product Description

CD Description

The debut album from singer-songwriter Rumer, including the single "Aretha". It follows the success of her EP, Slow.

Musically, Seasons Of My Soul is influenced by Rumer's upbringing, which takes in a childhood spent in an enclosed, exotic expat colony in Pakistan. Here, her family would often sing and write songs together, determined to provide their own entertainment in the absence of TV or newspapers. Then, they relocated to the New Forest, where Rumer first saw a television, and married her love of the folk tradition with the sweeping melodies of the technicolor movie musicals. It is a blissful harmony, which you can hear in the likes of Slow and Come To Me High.

BBC Review

Contrary to what televised talent shows might tediously suggest, there really isn’t a great voice waiting to be found on every high street. Sure, the throw-everything-at-a-wall approach works occasionally – nobody can deny that Leona Lewis is a brilliant singer, albeit one without an album worthy of her talent – but the scrapheap of public-voted flops continues to grow. Indeed, it’s now in danger of blocking out any future stars due their time to shine.

Rumer – born in Pakistan but introduced to folk (and, presumably, soul) music when her family moved to Hampshire – is a great voice who’s done things the old-fashioned way. Shunning the bright lights of prime-time exposure (believe me, she could win any such show), she developed her songs over a lengthy period of time, working menial jobs to make ends meet. Now, deservedly, her breakthrough has come. More improbably, her producer here is Steve Brown, who appeared on the Alan Partridge-helmed Knowing Me Knowing You series. Brown’s an award-winning composer, though, and his touch guides several of these songs to a finished state where graceful melodies barely mask emotions far weightier than those typically associated with pop newcomers.

Comparisons to Karen Carpenter and Laura Nyro have been made in the past, and rightly so – Rumer’s voice, bruised but unbowed, soft but sturdy, is hugely evocative of those vocalists. But there are plenty of contemporary parallels to be drawn, too. Healer’s skeletal arrangement, topped by cautious lyrics of uncertain love, is reminiscent of New York singer-songwriter Nina Nastasia. It gets a little over-egged, its endearing slightness sidelined by expansion, but nevertheless it’s a great number. The ghostly backing vocals on Blackbird and On My Way Home lend the impression of a group rather than an individual, stirring thoughts of soon-to-return Georgia dream-pop duo Azure Ray.

Everything sounds as if it’s written from experience, rather than by a team looking to tick the on-trend boxes of whatever commercial quarter they’re in. Which is perhaps why it succeeds where Leona, Burke et al have consistently failed: this is an album to embrace warmly, not a collection of tracks that the listener feels only a cold, media-manipulated connection with.

Slow, the single that introduced Rumer to the public, hangs itself around a core lyric of a familiarity that can’t quite be placed. And that’s a feeling that Seasons of My Soul arouses during its 11 tracks – a sense that these motifs have been heard before, but precisely where isn’t clear. It lacks originality, then, but Rumer’s debut is an immediately engaging, gently engrossing set. It wears its cracked heart on a neatly stitched sleeve of the most luxurious fabric, strong and elegant despite the hardships that sit of the centre of every song.

--Mike Diver

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Customer Reviews

4.5 out of 5 stars

Most Helpful Customer Reviews

112 of 115 people found the following review helpful By CAM on 1 Nov. 2010
Format: Audio CD
After hearing the single 'Slow' this album was eagerly awaited and it doesn't disappoint in any way. Since it arrived it hasn't been off the player and I highly recommend it for lovers of sultry, bluesey, intimate music. The quality of her voice is amazing. Front-runner of the tracks so far is 'Aretha' - heartbreakingly beautiful.
The final track - 'Goodbye girl' was a surprise as it's a cover of an old David Gates/Bread song but done in a fresh way that totally compliments the rest of the album.
Buy it - you won't regret it!
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66 of 68 people found the following review helpful By P. Mccormick on 3 Nov. 2010
Format: Audio CD
As the title of the album signposts this is a collection of Rumer's highly personal songs but the songs certainly resonate with me. Whilst there isn't the lyrical ability of a say, Joni Mitchell or Suzanne Vega here, the words are elegant and moving. The lyrics are effective in their portrayal of universal themes; loss of loved ones, loss and finding of love, isolation.

With regards to the the songs as a whole there are numerous comparisons that can be made, Karen Carpenter, Judee Sill , Carole King, early Laura Nyro, even Joni Mitchell in a couple of songs, and a host of others. I agree with some of the previous reviewers that that some of the material and its delivery is reminiscent of Dusty Springfield. The production is certainly of a classic vintage and quite Bacharachesque in its lightness of touch but it's faultless. And as to the Carpenters comparisons, I can't think of an original Carpenters albums that is strong as this, there is none of the cheesiness that Richard Carpenter sometimes brought to bear. And these are (apart from the David Gates song) Rumer's own songs. The songs are all beautifully song, it's approachable but it's quite moving in places and there's a lot of naked emotion in this album. It might not cheer everybody up as it is underscored with melancholy but that only helps it to work as a cohesive album. Beneath the surface sheen there is considerable turmoil being worked through. So if you want a nice 100% happy album you're in the wrong place.

Oddly, the album opens with what is possibly the weakest track "Am I Forgiven" is my least favourite song on the album. It's pleasant enough but doesn't give any indication of the riches to follow. I suppose though it makes for a relatively gentle introduction.
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25 of 26 people found the following review helpful By grabme on 7 Nov. 2010
Format: Audio CD
Lets not forget that we've had nearly 20 years of pop music aimed squarely at children and I don't know about anyone else but I've had enough autotune and rap pollution to last a lifetime as well as having to endure a decade of dreadful Boy/Girl bands and X Factor wannabees.

All I can say is that this album is a breath of fresh air to my ears, its aimed at adults or people with a taste for traditional pop music and I welcome more of the same and a return to some sanity in the music world.

Remember that not every song on an album has to be sculptured to be a hit or a dance tune, do not confuse this with blandness. I hear an artist expressing themselves creatively with very little record executive interference which should be celebrated as a positive thing in todays throwaway world.
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56 of 59 people found the following review helpful By A. Gale on 1 Nov. 2010
Format: Audio CD
This Album really is something special and for me the best release of the year. There are no fillers here, each song has been lovingly written and produced with Rumer's great voice conveying both the joy and heartache of the superb lyrics. An absolute winner that I can't recommend enough.
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5 of 5 people found the following review helpful By Busy Bee on 1 Nov. 2010
Format: Audio CD
I was really looking forward to receiving this CD as I had been listening to the tracks available on Rumer's website.
There are not many albums these days that I want to listen to over and over but this one will be played to death by me.
The only niggle is that the content that is meant to be available via an internet link i.e a couple of DVDs and two additional tracks, could not be accessed on my laptop. I tried when I first got the CD (30th October) and again on the release date (in case there was some verification required on the date) but can't get past the first page of the registration. I don't think that it's caused by blocked pop-ups, because I tried disabling them for the page and it made no difference. Has anyone else had a problem?
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9 of 10 people found the following review helpful By Cloudberry on 10 Nov. 2010
Format: Audio CD
I love this album and it is almost perfect. Other reviewers have mentioned that it is not the most ground-breaking set of tracks. Perhaps not, but it is extremely good. The album is too short and there are a number of tracks which finish too abruptly - "Slow" is one and, my favourite track, "Take Me As I Am" is another - I just think it needs another burst of its chorus. Perhaps I just want more of her and that can be said right across the album. Perhaps Rumer has another album waiting for a quick follow-up - now that would be nice.

Reviewers have been commenting about the comparisons with Karen Carpenter and Laura Nyro. Rumer's voice is very much like Karen's - the similarity is startling, but I'm not so sure about the comparison made with Laura Nyro; Dusty Springfield, yes; in fact, Dusty + Karen = Rumer, although Rumer does not reach the top notes as comfortably as Karen C did - almost, but not quite. Karen, whom I will always love, had a voice which is just about the perfect score of 10, Rumer is a 9.9 score. The multi-tracking of her voice is a delight and gives a rich, warm feeling which soothes the soul. The musicianship is also very well done, quite subtle in its understated way, as the production allows us to hear the instruments without them getting in the way of the vocals.

The tracks are self-penned except for a couple which she wrote with Steve Brown or Greg Churchill. The final track, "Goodbye Girl" is a David Gates cover. All the tracks are beautifully produced - "Aretha" and "Healer" are beautiful, with that Carpenters-like Burt Bacharach touch and the Herb Alpert sound. As already alluded, I am a massive Carpenters fan and this does it for me. I understand that other reviewers (plus the Guardian and BBC reviews) have said the tracks are not very original.
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