This is only the second book of Jo Goodman's that I have read, but clearly I have been missing something. "A Season to Be Sinful" is a wonderfully rich and complex Regency historical romance of the type that is unfortunately too rare these days. The writing is intelligent and evocative, the characters complex and memorable and the plot interesting.
The story at first glance seems a little bit contrived--a young woman disguised as a scruffy boy rescues a rather stuffy young viscount from an assassin's knife in Covent Garden. Summoned to her sick bed by three adorable street urchins (named Pinch, Dash and Midge), Viscount Sheridan (called Sherry) discovers that the young woman has taken the knife than was meant for him and is gravely ill. He quickly realizes that she is more than she seems upon hearing her gently-bred speech. Lily, the heroine, is actually in hiding in the slums of London after fleeing from the ever-so-evil Baron Woodridge, a pervert who had taken her from a French abbey purportedly to be his children's governess and then used her as his own sexual plaything. This is pretty heavy stuff for a historical romance and likely will not be to all reader's taste, but romance lovers who like character driven romance and prefer grittier, more complex stories will be rewarded for their effort in "A Season to Be Sinful". Jo Goodman transforms this plot (which admittedly has "bodice-ripper" overtones) into a nuanced story of healing and discovery between her well-matched hero and heroine.
The characters of both Lily and Sherry and finely drawn and wonderfully deep. Sherry (and his name to me sounded not feminine as suggested by another reviewer, but *terribly* British upper class) is a remarkable hero--attractive, intelligent and full of dry wit, but also rigidly correct and emotionally restrained. It is a pleasure seeing Sherry gradually open himself up to Lily and the three boys and to peel back the layers of his complex character. Lily is a worthy heroine, damaged but not broken by her horrible past, she begins to slowly and realistically heal her wounds under Sherry's care. The story unfolds gradually as Lily and Sherry learn to trust each other and share the secrets of their pasts. Their developing romance is sweet and believable and the love scenes are not only wonderfully sensual but also integral to the plot and to Lily's healing.
The book is not perfect in that the plot has a few too many coincidences for my taste, and the villain is a little too relentlessly evil; however, the dialogue is so sharp and intelligent, the writing is so beautiful and descriptive and the characterizations so marvelous (even the children are engaging despite their rather "too cute" names) that I found myself overlooking the few flaws.
Highly recommended for lovers of richer, darker, and more complex historical romance.