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Fever Season (Benjamin January)
 
 
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Fever Season (Benjamin January) [Mass Market Paperback]

Barbara Hambly
4.4 out of 5 stars  See all reviews (9 customer reviews)
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Product details

  • Mass Market Paperback: 416 pages
  • Publisher: Bantam; Reprint edition (Jun 1999)
  • Language English
  • ISBN-10: 0553575279
  • ISBN-13: 978-0553575279
  • Product Dimensions: 10.7 x 2.6 x 17.4 cm
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Bestsellers Rank: 927,441 in Books (See Top 100 in Books)

More About the Author

Barbara Hambly
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Product Description

Product Description

Benjamin January made his debut in bestselling author Barbara Hambly's A Free Man of Color, a haunting mélange of history and mystery. Now he returns in another novel of greed, madness, and murder amid the dark shadows and dazzling society of old New Orleans, named a Notable Book of the Year by the New York Times.

The summer of 1833 has been one of brazen heat and brutal pestilence, as the city is stalked by Bronze John—the popular name for the deadly yellow fever epidemic that tests the healing skills of doctor and voodoo alike. Even as Benjamin January tends the dying at Charity Hospital during the steaming nights, he continues his work as a music teacher during the day.

When he is asked to pass a message from a runaway slave to the servant of one of his students, January finds himself swept into a tempest of lies, greed, and murder that rivals the storms battering New Orleans. And to find the truth he must risk his freedom...and his very life.

From the Author

A letter from the author
Since my college days (back in the late Mesozoic Era) I've wanted to do a mystery set in the antebellum South with a free black protagonist. Historical mysteries are mostly comedies of manners--investigations of the ins and outs of the society in which they take place--and the artificiality of that milieu fascinated me. I deliberately steered clear of the Civil War and the era immediately preceding it because a) a lot of other people have done it better than I could and b) because the issues, and the people, were very different even a generation earlier. It mokes it harder to research--very little is done about that changeover generation between Jeffersonian and Jacksonian America--but the more I study, the more fascinating stuff I find. It's a goldmine for a writer.

One of the things I enjoy most about the Benjamin January series is the continuing cast of characters. Family and friends are a major subtheme of the books: you need your family. You need your friends. After Benjamin s wife dies he returns to New Orleans, a city in which he will automatically become a non-person and will be in periodic danger of enslavement, because his family is there and in his grief and his pain he cannot survive without them. This is not only an emotional truth in all times and places, but very typical of the society about which I'm writing. To the antebellum New Orleans Creoles, both white and black, family was everything.

I must say I love writing Ben's mother. She's an absolutely horrible woman, snobbish and greedy and self-centered, but she's a wonderful mechanism to advance plots by giving the reader whole reams of Information in the form of spiteful gossip. In fact I love writing about most of those people--Ben's sisters, and his worthless white pal Hannibal, and Lieutenant Shaw. I'll occasionally use historical characters in the books, like Madame Lalaurie or John Davis, the man who owned the Orleans Ballroom, and I try to get those people as accurately as I can, from what I can learn of them. There was no lack of fascinating people running around New Orleans in that era. About some of them. like the voodoo queen Marie Laveau, it's almost impossible to find "hard" information--only rumors and traditions and tales that have been colored by the prejudice or political correctness of the tellers.

I try, too, to portray what the city must have been like, what people must have been like. New Orleans fascinates me because there were literally four separate social systems--white Creoles, white Americans, mixed-race free colored, and black slaves--living in the same few square miles of territory and none of them dealing with the others unless absolutely necessary. The concept of solidarity between the free colored and the blacks was almost unheard-of: the free colored, for the most part, identified with the white Creoles, the people who had power and money. January is an interesting character to me precisely because he was raised with a French Creole outlook, because he has the outlook of an educated European. He's very much a man between two worlds, on outsider among his own people.

For most of my life I've been a student of history, although I've had a fairly long career as a writer of sword-and-sorcery fantasy before I began writing historical mysteries. My degree is in Medieval History, something I've seldom used in any of my writing: basically what I learned was how to research, and how to set up a non-industrial society. From the time I was five I knew that I wanted to write, and I've tried to do at least a little of the things I write about: hand-to-hand combat, riding a horse, loading black powder weapons. dancing, wearing a corset. My love of history was one of the things that drew me to New Orleans for the first time, though I fell in love with the city--and with my husband, whom I met there--and ended up living in New Orleans half-time for nearly three years.

I feel like I have so much more to learn.

About myself I will just say that I was born In California, raised here, and currently live in Los Angeles with my husband, two dogs, two cats, and two lizards. Like Benjamin, I treasure my family and my friends. In the course of getting my degree in Medieval History I spent a year at the University of Bordeaux in the early seventies, and in connection with writing a couple of historical vampire thrillers I've traveled through Europe learning that there are no back-alleys in the old part of Vienna (oops, I guess I'll have to re-write that back-alley scene) and that the sunlight in Istanbul is not like light anywhere else that I've seen.

My husband, who is a science fiction writer, and I go back to New Orleans a few, times a year. Even in the eighteenth century it was remarked on that once someone had lived there, the city would draw them back.

I hope to go on writing about that town for a very long time.


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Customer Reviews

Most Helpful Customer Reviews
1 of 1 people found the following review helpful
Fascinating! ! ! 27 May 1999
By A Customer
Format:Mass Market Paperback
When I first saw that Barbara Hambly was moving away from fantasy, I was disappointed. She is one of my favorites. But then I read "A Free Man of Color" and "Fever Season" and was blown away. The characters are rich and the amount of research and work that went into the story must have been massive. She picks you up and puts you right down in 1833 New Orleans.

One thing for sure, you don't go to New Orleans without wondering where it all happened.

Thank you for a wonderful book.

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1 of 1 people found the following review helpful
By A Customer
Format:Hardcover
As much as I loved the first book, A Free Man of Color, the second in the series was even better in some ways. Hambley plays her strongest card in this book--her fantastic command of characterization. Once I got to the last 1/3 of the book, I literally could not put it down. My only complaint--the end left me wanting more!
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1 of 1 people found the following review helpful
More please 15 July 1998
By A Customer
Format:Hardcover
Barbara Hambly has done it again. Benjamin Janvier returns in a sequel to A Free Man of Color. The images that are invoked are excellent. The streets of New Orleans, the culture, the miscarriage of justice reflect the way it was. My friends who teach French and enjoy mysteries loved the frist one after I pointed it out to them. I am recommending this one as well. Please keep up the good work.
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