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Up steps Pacino in an almost typical down and out portrayal of a cop who just cannot accept things at face value, a sort of Columbo with style!
Falling for a potential suspect - the very sexy Ellen Barkin - seems an almost inevitable outcome from the moment you meet her, but it's the chemistry between the two, in bad times as well as good, that crackles across the screen and makes you sympathise with both characters.
Throughout the film, you start to suspect almost everybody, and even though you're half expecting someone to attempt to kill Pacino, it sill makes you jump out of your seat when it finally materialises!
And this film also has the best stand up sex scene in history as Pacino alternates between believing Barkin to be the killer to feeling compassion for her in the only way he can demonstrate!
Pacino is simply awesome in this role, whilst Barkin shows that she has a talent that has never truly blossomed. When she actually finds out that Pacino is a cop and that he's been using her, her expression would make you believe that she hadn't read the script and that she was really fooled!
There have been many other great Pacino performances, many of them giving him huge plaudits, but for me this is his finest of all. Absolutely sensational.
Frank Keller (Al Pacino) isn't exactly Steve McGarrett material when it comes to his career as a detective, mainly because the guy is basically pretty pathetic. His wife left him for another detective on the force, and he's not handling that very well – drunken calls in the middle of the night to his ex-wife are not uncommon. The guy drinks like a fish all day and all night, whether he's on duty or not, he gets into serious shoving matches with other cops, and he spends more time getting under the skin of his fellow detective (and ex-wife's new man) than investigating the crime at the scene of the film's opening murder. Later on, he gets into a serious relationship with one of the murder suspects, which has to break a lot of rules in the old code of conduct. About all he gleans from the first murder is the fact that someone plugged a fat naked guy in the back of his head and that the killer was apparently a big fan of the song Sea of Love. Fortunately for him, a Queens detective (played by John Goodman) working on a similar case teams up with him on a two-man task force to find the mutual killer. The common thread linking the murders together is the fact that each victim had recently placed a poetic personal ad in the newspaper. Since no one seems to have bothered looking at any of the evidence too closely, Keller and Detective Sherman (Goodman) decide to place a similar ad in the paper, meet all of the women who respond, get their prints and compare them with those found at the murder scenes, and break the case wide open.
Keller meets Helen (Ellen Barkin) at one of these undercover dates. She blows him off early on, before she even comes close to leaving a fingerprint on anything. When they meet accidentally soon thereafter, though, a spark is lit, and the two are lovers before you can say Jack Sprat. Frank puts his feelings for Helen above his job, thereby leaving Helen hanging out there as a possible murder suspect. This is where all of the suspense comes in; is she or isn't she? The story zigs and zags both ways on the question, leaving the viewer in a measure of doubt until the very end. The whole thing turns into a weird love story for the most part, with Frank trying to avoid losing Helen even as he sometimes wonders whether she's the killer he's looking for. It is quite suspenseful, largely thanks to Ellen Barkin's very strong performance. The ultimate ending's a little weak, but that takes nothing at all away from the sustained mystery that will command your rapt attention all the way up to that point.
It's not hard to see why the movie was so successful. It just goes to show what good acting and a reasonably strong script can do for a movie. There are probably two camps when it comes to the ending, I should note – but it's not a hate it or love it thing. Some will not find it all that surprising, while others may feel as if it comes right out of left field. Either way, Sea of Love is a film that all fans of steamy thrillers can lose themselves in and, at the very least, come out feeling reasonably satisfied.
The erotic thriller is a tough premise to get right on film, so many elements have to fall in to place for the film to win over critics and film goers alike. Chemistry of lead cast members, a gripping plot, plausible outcome, and so on. Too many over the years have failed miserably at it, resorting to either gratuitous tactics or simple star casting to entice the paying public in to the theatre. Sea of Love is not a complete success, but it's certainly one of the best of its type. Were it not for a weak murder motive that's not fully explored, resulting in something of an unsatisfying finale, we would probably be talking about Sea of Love being the template movie for the erotic thriller.
All else that leads up to the last 15 minutes is sizzling, Barkin and Pacino spark in every scene they share, where even with the sex scenes, the fact that Barkin towers over Pacino doesn't detract from the sexual chemistry, it adds to it. It's smart, too, that we don't see Barkin for the first third of the movie, the anticipation builds up and thankfully upon arriving into the picture she doesn't disappoint. Goodman is ebullient and makes a good foil for Pacino's haggard life sucks act, his Sherman an easy to get on side with character.
The guessing game at the heart of the plot is well handled by the makers, there's no stupid giveaways or overkill of red herrings, while the edgy lonely hearts basis for both the killings and the investigative trap is nicely written by Richard Price. Fusing both loneliness and sexual needs together as one, Becker is able to get much emotional mileage out of the story. If only the ending could have made good on the promise shown. Come the last 15 minutes the "is she or isn't she the killer?" factor has run out of steam, with what follows inducing cries of "oh, is that it?"- instead of- "oh my god!". Damn shame that. 7.5/10
mood, and a sharp, smart script by Richard Price. Read more
However this is a very cool film. Sexy Ellen Barkin hides the mystery of a serial killer.. but is she the killer? Read more
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