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Product Description
The Times
'James's setting has been much imitated... but no one comes near the finesse of the master'
--This text refers to an alternate Paperback edition.
--This text refers to an alternate Paperback edition.
Book Description
The famous and terrifying story in an edition which includes a unique selection of Henry James's ghost stories
--This text refers to an alternate
Paperback
edition.
Inside This Book
(Learn More)
First Sentence
THE STATEMENT appears to have been written, though the fragment is undated, long after the death of his wife, whom I take to have been one of the persons referred to. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
THE STATEMENT appears to have been written, though the fragment is undated, long after the death of his wife, whom I take to have been one of the persons referred to. Read the first page Browse Sample Pages
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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Most Helpful Customer Reviews
7 of 7 people found the following review helpful
Format:Paperback
Unlike some of the other reviewers here I still think this is the creepiest book I've ever read, and all the more terrifying for the fact that James never articulates what's going on - he simply leaves your imagination to float free and conjure up all your worse nightmares. Yes, he's never an easy read (though this is far more accessible than Wings of the Dove, The Golden Bowl etc) but I think his very stately, mannered sentences and diction actually add to the horror of the story. Don't read this if you're expecting Stephen King or The Exorcist - James expects his readers to make the effort to read properly. Someone called this (possibly James himself?)'the most poisonous little tale I could imagine' and I think that's a perfect description - when I re-read it, it was on the tube with bright lights and lots of people around as I couldn't face reading it at home alone!
5 of 12 people found the following review helpful
Format:Paperback
Henry James is a prime aristocrat, a not always very subtle defender of the leisure class. Two short stories in this bundle show it profusely.
In `The Turn of the Screw', two aristocratic children are haunted by two `base menials' (`You reminded him that Quint was only a base menial?'). Henry James fears really that the higher classes will be contaminated and corrupted by the lower classes: `I should continue to defer to the old tradition of the criminality of those caretakers of the young who minister to superstition and fears.'
The evil comes out of the lower classes, `For the love of all the evil that the pair (of servants) put into them.'
At the end, one of the children succumbs to the same fate as the child in `Erlkoenig' by Goethe, Erlkoenig being the quintessence of the evil force, the killer of innocence.
In `Owen Wingrave' (masterly transformed into an opera by Benjamin Britten), the main character refuses to step into the tradition of his ancestors and to become a soldier (and die on the battlefield). On the contrary, he calls war an overwhelming stupidity, the `crash barbarism'. He doesn't understand `why nations don't tear to pieces the governments, the rulers that go for them.'
For Henry James, the ideas and the behavior of Owen Wingrave are like `falling in love with a low girl.'
At the end, Owen is slain by the ghost of one of his ancestors, dying on his own battlefield (for his ideas). The last words of the story (`gained field') would mean that the aristocracy has adopted the `anti-war' policy.
These perfectly constructed and brilliantly written stories reveal Henry James's real obsession: preserve the `purity' of his kind.
In `The Turn of the Screw', two aristocratic children are haunted by two `base menials' (`You reminded him that Quint was only a base menial?'). Henry James fears really that the higher classes will be contaminated and corrupted by the lower classes: `I should continue to defer to the old tradition of the criminality of those caretakers of the young who minister to superstition and fears.'
The evil comes out of the lower classes, `For the love of all the evil that the pair (of servants) put into them.'
At the end, one of the children succumbs to the same fate as the child in `Erlkoenig' by Goethe, Erlkoenig being the quintessence of the evil force, the killer of innocence.
In `Owen Wingrave' (masterly transformed into an opera by Benjamin Britten), the main character refuses to step into the tradition of his ancestors and to become a soldier (and die on the battlefield). On the contrary, he calls war an overwhelming stupidity, the `crash barbarism'. He doesn't understand `why nations don't tear to pieces the governments, the rulers that go for them.'
For Henry James, the ideas and the behavior of Owen Wingrave are like `falling in love with a low girl.'
At the end, Owen is slain by the ghost of one of his ancestors, dying on his own battlefield (for his ideas). The last words of the story (`gained field') would mean that the aristocracy has adopted the `anti-war' policy.
These perfectly constructed and brilliantly written stories reveal Henry James's real obsession: preserve the `purity' of his kind.
1 of 13 people found the following review helpful
Format:Hardcover
This collection includes the classic Turn of the Screw. It is a story about a nanny in a large country house and its eerie occurrences. "Friends of the Friends" is a similarly creepy story about death.
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