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The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problem
 
 
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The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problem [Paperback]

Syd Field
4.2 out of 5 stars  See all reviews (5 customer reviews)
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Frequently Bought Together

The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problem + The Screenwriter's Workbook: Exercises and Step-by-step Instructions for Creating a Successful Screenplay + Screenplay: The Foundations of Screenwriting: A Step-by-Step Guide from Concept to finished Script
Price For All Three: £25.98

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Product details

  • Paperback: 366 pages
  • Publisher: Delta (imprint of Dell Publishing); First Printing edition (13 Jun 1998)
  • Language English
  • ISBN-10: 0440504910
  • ISBN-13: 978-0440504917
  • Product Dimensions: 20.3 x 13.3 x 2.6 cm
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (5 customer reviews)
  • Amazon Bestsellers Rank: 69,723 in Books (See Top 100 in Books)
  • See Complete Table of Contents

More About the Author

Syd Field
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Product Description

Product Description

All writing is rewriting. But what do you change, and how do you change it? All screenplays have problems. They happened to Die Hard: With a Vengeance and Broken Arrow-and didn't get fixed, leaving the films flawed. They nearly shelved Platoon-until Oliver Stone rewrote the first ten pages and created a classic. They happen to every screenwriter. But good writers see their problems as a springboard to creativity. Now bestselling author Syd Field, who works on over 1,000 screenplays a year, tells you step-by-step how to identify and fix common screenwriting problems, providing the professional secrets that make movies brilliant-secrets that can make your screenplay one headed for success...or even Cannes. Learn how to:

•Understand what makes great stories work
•Make your screenplay work in the first ten pages, using Thelma & Louise and Dances With Wolves as models
•Use a "dream assignment" to let your creative self break free overnight
•Make action build character, the way Quentin Tarantino does
•Recover when you hit the "wall"-and overcome writer's block forever

Inside This Book (Learn More)
First Sentence
A few weeks ago, during one of my screenwriting workshops, a student turned in some pages from her screenplay with somewhat worried and concerned expression on her face. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index
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Customer Reviews

5 Reviews
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Average Customer Review
4.2 out of 5 stars (5 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

5 of 5 people found the following review helpful:
5.0 out of 5 stars FOR SCRIPTWRITERS, ANY WRITERS, GET THIS BOOK!!, 1 Sep 1998
By A Customer
This review is from: The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problem (Paperback)
Mr. Field separates the vague monsters we all face when a project runs off-track: characters, plot, and more. My copy still delivers, despite rolled back pages, coffee stains, and margin scribbles. Mr. Field is a name but more a skillful teacher emphasizing the editing eye we need to survive! THANK YOU, Mr. FIELD!
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9 of 12 people found the following review helpful:
1.0 out of 5 stars Only repeating a handful of facts and shallow tips, 26 Oct 2000
By A Customer
This review is from: The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problem (Paperback)
Reducing this book's approximately 350 pages to 35 would in my humble opinion have made it a hundred times better, and given another price more in line with the informative value.

Lecturing on about how important it is to adapt one's script to the right format, and constantly nagging on about avoiding artificial talking heads, the author himself could have considered checking up on some of his own advice on how to keep the reader's interest, and how to avoid dull and uninteresting writing. ...or perhaps he did, and his product is an indication of the effectiveness of his own advices?

I forced myself to continue through the 3rd-8th chapter (of total 22) with the cod-liver-oil-attitude; "I hate this, but it's supposed to be good for me". Then I had to give up. Repetitiveness might function well in the author's classroom lecturing, but on print it's overly annoying. Especially when nothing really new seems to surface in between.

A much better read, and far more comprehensive, I find Linda Seger's book "How to make a good script great" which I am now enjoying.

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5.0 out of 5 stars Top marks for this book., 14 July 2010
This review is from: The Screenwriter's Problem Solver: How to Recognize, Identify, and Define Screenwriting Problem (Paperback)
This book is a must for all screenwriters. Syd Field is an absolute legend within this industry and would recommend all of his books.
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