Most Helpful Customer Reviews
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21 of 21 people found the following review helpful:
3.0 out of 5 stars
A pleasant surprise, 25 April 2007
When this book came into my hands, I have to admit I didn't think I was going to like it. Given that my only knowledge of the author had to do with a series of novels revolving around an African detective agency for women (or thereabouts)- I guess I was expecting a flight of fancy through Edinburgh, with no real meat to it.
I couln't have been more wrong. This book is a wittily observed journey through the lives and thoughts of five or six of the best realised characters I've come across in modern fiction.
The narcissistic Bruce, fantastically pretentious Irene and perpetually befuddled Matthew are among my favourites, but I think there's definitely someone for everyone in this book.
I can foresee a potential negative for some people coming to this book expecting a great saga. Because of the way in which it was written (Smith submitted a chapter a day to The Scotsman newspaper for 110 days), the story flits around and just as a particular line gets some legs, you find yourself focused on something totally different.
For those who like books with a long, developed plot line and deeply winding subplots, this book may feel like dealing with a hyperactive child. However, if you like dry, well realised humour with a good pace and excellent characters, then this will make a great read.
I'm certainly interested enough to hunt down the two sequels. Well done, Mr Smith, you've converted another fan.
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18 of 19 people found the following review helpful:
5.0 out of 5 stars
21st Century Dickens in Edinburgh, 12 Jul 2005
Alexander McCall Smith has helped recreate the daily serialized newspaper-published novel with 44 Scotland Street. In 110 tasty snippets, he introduces vast numbers of memorable characters, expands the action, provides 109 cliff hangers and deliciously complicates the plot. With a spare style and a twinkle in his eye, the author gives us plenty to chuckle about in unveiling the pretensions of the self-congratulatory urbanized upper crust.Pat is taking a second year off from her college studies. The first year off didn't work quite as she had hoped. Pat is delighted to find a flat she can share with the handsome, if self-absorbed, Bruce, and two perpetually missing flat mates. She quickly finds a job working in an art gallery where the owner, Chris, knows even less about what he's doing than she does. On the same floor in her building is a delightful older woman, Domenica, who knows where all the bodies are buried. Through the walls, Pat can hear little Bertie practicing his saxophone for his mother, Irene . . . who's obsessed with having her son become a civilized genius. Bertie has other ideas. The cast of characters is soon off on a mad-cap scramble through life whose continuing plot thread is a painting that just might be valuable . . . if only someone can figure out who painted it . . . and where it is. Along the way, lust rears its powerful chemistry and Pat learns to tell the good guys from the bad. The story reminded me very much of the best of Maeve Binchy's novels about modern Dublin. 44 Scotland Street has the advantage over Ms. Binchy because Alexander McCall Smith is able to deftly develop his story so rapidly with sure visual pictures while bringing out the humor . . . rather than the painful melodrama . . . in everyday living. I found myself roaring with laughter throughout the book. There's lots of use of psychiatry to develop the humor. I thought that the scenes with Irene and Bertie's analyst were irresitible! I didn't know that you could have so much fun while sober in Scotland.
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34 of 37 people found the following review helpful:
5.0 out of 5 stars
21st Century Dickens in Edinburgh, 12 Jul 2005
Alexander McCall Smith has helped recreate the daily serialized newspaper-published novel with 44 Scotland Street. In 110 tasty snippets, he introduces vast numbers of memorable characters, expands the action, provides 109 cliff hangers and deliciously complicates the plot. With a spare style and a twinkle in his eye, the author gives us plenty to chuckle about in unveiling the pretensions of the self-congratulatory urbanized upper crust.Pat is taking a second year off from her college studies. The first year off didn't work quite as she had hoped. Pat is delighted to find a flat she can share with the handsome, if self-absorbed, Bruce, and two perpetually missing flat mates. She quickly finds a job working in an art gallery where the owner, Chris, knows even less about what he's doing than she does. On the same floor in her building is a delightful older woman, Domenica, who knows where all the bodies are buried. Through the walls, Pat can hear little Bertie practicing his saxophone for his mother, Irene . . . who's obsessed with having her son become a civilized genius. Bertie has other ideas. The cast of characters is soon off on a mad-cap scramble through life whose continuing plot thread is a painting that just might be valuable . . . if only someone can figure out who painted it . . . and where it is. Along the way, lust rears its powerful chemistry and Pat learns to tell the good guys from the bad. The story reminded me very much of the best of Maeve Binchy's novels about modern Dublin. 44 Scotland Street has the advantage over Ms. Binchy because Alexander McCall Smith is able to deftly develop his story so rapidly with sure visual pictures while bringing out the humor . . . rather than the painful melodrama . . . in everyday living. I found myself roaring with laughter throughout the book. There's lots of use of psychiatry to develop the humor. I thought that the scenes with Irene and Bertie's analyst were irresitible! I didn't know that you could have so much fun while sober in Scotland.
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