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Scorpius (Coronet Books) [Paperback]

John Gardner
3.5 out of 5 stars  See all reviews (2 customer reviews)

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Product details

  • Paperback: 288 pages
  • Publisher: Hodder & Stoughton Ltd; New edition edition (1 Mar 1989)
  • Language English
  • ISBN-10: 0340488395
  • ISBN-13: 978-0340488393
  • Product Dimensions: 17.4 x 11.4 x 2.2 cm
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 270,484 in Books (See Top 100 in Books)

More About the Author

John Gardner
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Product Description

Product Description

The corpse of a young girl is found in the Thames. Special Branch call on James Bond who finds himself caught in the middle of a deadly game of terrorism and arms supplies involving the Society of the Meek Ones led by Father Valentine who has links with Vladimir Scorpius "The King of Terror". This book is the latest in the James Bond series. The author has also written "The Garden of Weapons", "The Nostradamus Traitor", "The Secret Generations" and "The Secret Houses".

About the Author

After Colonel Sun (1968) by Kingsley Amis, John Gardner was the next writer to be asked by Glidrose (now IFPL) to write further adventures of James Bond. He wrote, like Fleming, fourteen Bond books, plus novelisations of the films GoldenEye and Licence to Kill, from 1981 to 1996. Before becoming an author of fiction in the early 1960s John Gardner was variously a stage magician, a Royal Marine officer, a journalist and, for a short time, a priest in the Church of England. 'Probably the biggest mistake I ever made,' he says. 'I confused the desire to please my father with a vocation which I soon found I did not have.' In all, Gardner had fifty-five novels to his credit - many of them best-sellers (his Maestro was a New York Times Book of the Year). Sadly John Gardner died on Friday 3rd August 2007. John was a highly respected and admired member of the Bond family and he will be greatly missed. The Orion Publishing group re-released Gardner's first five James Bond titles, Licence Renewed, For Special Services, Icebreaker, Nobody Lives Forever and Role of Honour in a glorious hardback edition, featuring their original cover art in the summer of 2011. All fourteen of the Gardner titles will be released during 2012 starting in February, with his two film tie-in books GoldenEye and Licence to Kill scheduled for publication in November and August respectively. All his Bond titles are also available in the States from Pegasus Books. For more information about John Gardner and his non-Bond works, visit his own website here. --This text refers to an alternate Paperback edition.

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Most Helpful Customer Reviews
4 of 4 people found the following review helpful
Format:Hardcover
Back cover blurb:
'A young girl's body is fished out of the Thames. Very sad but not so extraordinary. That is, not until Special Branch discover two unusual items. The only telephone number in the late Emma Dupre's diary was Bond's; also a new kind of credit card. Apparently legitimate but unknown.
Emma, well-connected, ex-junkie, had also been involved with a new religious sect - The Society of the Meek Ones led by the charismatic Father Valentine. The society upholds traditional moral values and is harmless. Or is it? Why does Father Valentine have links with Vladimir Scorpius, the vanished international arms dealer?
James Bond is called in to unravel the threads with the help of the beautiful Harriet Horner, in a labyrinthine tale which brings him face to face with the most sadistic and evil opponent of his career.

Scorpio, first published in 1988, is one of John Gardner's better James Bond novels. The elusive Father Valentine makes a worthy adversary for our hero, and all the classic Ian Fleming traits are intact for the world's most famous spy.
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Format:Paperback
In 1988, midway through his Bond output and still hitting them into the bestseller lists, Gardner produced his most original 007 story yet. Putting his version of Bond into an un-Fleming like tale, it's a shame he wasn't more daring as it's the more familiar elements that disappoint here when the story flags.

Story: 6/10. It astonishes on first reading as a totally un-traditional Bond novel, far more like an episode of say "The Professionals" or "Spooks". We have a gritty London death, a creepy secretive society ("The Meek Ones"), SAS training, Bond under police investigation and establishment figures under threat. The dialogue as ever isn't Gardner's forte, but the pace is brilliant- the prose taught and immediate, the characters human and frail. Chapters tend to end on cliffhangers like old fashioned thriller serials. There's intrigue aplenty and lots of violent action as 007 attempts to prevent a wave of evangelist inspired suicide attacks.

Gradually, though, this approach unwinds. There are too many talky scenes, making Bond late for the action in the next chapter. Scorpius is effectively built up but when he appears he's no Dr No, hiding on yet another exclusive island (Gardner's 3rd in a row!). M's a real pain: no longer Fleming's stern but debonair old-school admiral type, but a rather snide crotchety old snob. Bond's apparently given up the fags and spirits, and the really promising heroine (bright, tough, sexy) isn't in it enough.

Moreover, as the pace sags in the final third, the traditional showdown abroad with the villain is a mess. Both Scorpius and novel lose the plot as the former fails to decide what he wants to achieve, arranges a wedding for no reason and claims all Gardner's loose plot threads as deliberate red herrings! Despite great stuff like the deadly marsh, the safe house raid and the 'real time' news coverage of the suicide assassinations (frighteningly prescient 20 years on), it's probably a few drafts away from something really good.
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Amazon.com:  4 reviews
3 of 3 people found the following review helpful
Scorpius: An ode to Fleming's originals 17 Dec 2001
By John Cail - Published on Amazon.com
Format:Hardcover
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Back in the late 1950's, author Ian Fleming created a unique character, one that would have all the style and charisma to live on through different storytellers. This character, James Bond, is most known for being the quintessential `spy' or `secret agent', and even considering the character's dangerous occupation and sometimes-questionable lifestyle, has become a sort of fictional role model for many people. But even though Mr. Bond originated from the world of literature, in a way, he is most known for his flamboyant and action-packed films, which are both light on the intellectual stimuli, and heavy on the one-liners.

Throughout the years, though, Bond's adventures have not only been continued on the silver screen. His outings also lived on through the literature world, being passed on to new authors, who each portray Bond in various ways, while still retaining all the charm and sophistication of Mr. Fleming's original Bond. But, as is usually commonplace, the novel adaptations of Mr. Bond's exploits have been much more detailed and thorough in describing the art of a covert spy, than just showing off by killing as many people and sleeping with as many women as possible like many of the films, particularly the most recent ones, have been doing. This is not to say that the films are essentially no-brainers, it's just that imagining what is happening in a particular scene through very descriptive and detailed words, is much more enjoyable than seeing it being played out in front of you on a screen.

This particular author, James Gardner, has written over eleven books based on the character in the last two decades, and by past examples of previous authors, he would have had a lot to live up to when he wrote his first bond novel. His seventh, Scorpius, is very true to both the novel-style Bond and the movie-style Bond. Landing somewhere in between, Gardner's Scorpius has all the detail and description of the books set out against the interesting plot and outrageous scenarios and villains of the films. It's an interesting mixture, and combined with his articulate use of words, makes for an enjoyable experience.

The story sees Bond start off partway through an intense training weekend at a British army base and receiving orders from his chief `M' to return to the headquarters of MI6, a British intelligence outfit. The pace of the story is greatly increased when he learns he is being followed on his journey back. Gardner's use of this method to heighten the suspense and pace of the story is accomplished very well, and makes the reader want to keep reading on. Bond is then thrown into a mission to investigate a religious cult called the Meek Ones, founded by a mysterious man called Father Valentine. The Meek Ones are also believed to be behind a multitude of terrorist bombings on numerous British politicians. Further down the track, in typical Bond style, Father Valentine turns out to be none other than exiled arms dealer Vladimir Scorpius. This, although told very early in the text, is quite an interesting story device that Gardner uses, as Bond has to pretend he doesn't know Valentine's real identity, adding another layer of suspense to an already twist-ridden storyline.

Gardner's use of words goes even beyond being able to capture the attention of his readers. It is easy to see through the author's enthusiastic representation of the character of Bond, that he enjoyed writing this novel as much as if he was reading it. This is even portrayed through his attention to detail when it comes to how Bond does his job, showing a true appreciation for the art of espionage. Maybe this can be attributed to the fact that Gardner, before becoming a writer, was actually a Royal Marine and a stage magician, and this somehow influenced his storytelling ability, as his descriptive nature highlights not only the honour, but also the trickery that is required to survive in the covert spy world.

The character of Scorpius is very well portrayed, but somewhat flawed. On one side of the scales, we see an extremely intimidating character with "eyes of pure evil", and is described as "the Devil personified", and on the other, it is hard to take Scorpius seriously, as he seems quite comical in the sense that he sounds too unreal, and too unbelievable. In my opinion, this is the only blemish on an otherwise clean sheet. But this aside, Scorpius is your typical Bond villain (minus the physical characteristics), and he is actually quite convincing if he is believed to be the psychotic madman Gardner, through Bond, describes him to be.

Even without the exotic locations of usual Bond adventures, Gardner's Scorpius is a fantastic insight into the fictional world of James Bond and his work with MI6. Easily comparable to the films and even Ian Flemming's original tales, Scorpius' tale of fanatical cults, terrorist bombings and the world of espionage is filled with enough plot-twists and suspenseful action to keep you interested from the moment you first open the book.

1 of 1 people found the following review helpful
Shaken, not Thrilled 30 Aug 2005
By R. H. Rich - Published on Amazon.com
Format:Hardcover
Two words came to mind after finishing this book: Juvenile and pedestrian. It's not among the worst of its ilk, but Gardner does himself no favors with some of the cheeky side references to Bond's favorite actor (Sean Connery, naturally) and the marathon "honeymoon".

Given the nature of Scorpius, a megalomaniacal cult leader commanding a legion of former drug addict suicide bombers, and his strange quirks, I would have to wonder whether or not this was originally conceived as a Conan novel that Gardner shoe-horned into the Bond mythos.

The whole thing just feels rather shallow and weak, especially when one expects a thrill a chapter in a rollicking adventure. It wasn't the worst novel I've read in a while, but it's nothing particularly memorable neither. I'd recommend readers skip it unless one is a true Bond completist.
1 of 1 people found the following review helpful
Bond vs. Religious Fanaticism 5 Dec 2001
By jeu8478 - Published on Amazon.com
Format:Paperback
John Gardner turns in a solid Bond thriller that manages to be a little different than usual but still solid. This time, he goes up against the head of a fanatical cult bent on destroying England's political system. The book works well because the threat feels very real and imminent throughout the book. Bond does a little more detecting than usual, and despite what could be done with the premise, Gardner reigns it in and keeps it mostly down to earth. Not one to start with, but another underrated Gardner entry.
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