John Debney's intense, melodic score adds much atmosphere to Mel Gibson's magnificent film, but can also stand on its own as intriguing and lovely listening. It uses a lot of background vocals and chanting to great effect, and fascinating instruments that give it a middle-eastern flavor; notable is the duduk, which is an ancient double-reed similar to the clarinet, often used in Armenian folk traditions.
It is a score that changes from gentle tenderness to percussive strength, always interesting in its many moods. A few tracks have lush string arrangements, and track # 9, "Mary Goes to Jesus" takes flight on wings of sound.
Other contributors to the score are Jack Lenz, Shankar & Gingger, with lyrics by Lisbeth Scott.
It is all at once inspiring, peaceful, and energizing music, and a score that I will be listening to many years from now.
See the film, and hear the music; this is the rare stuff that changes lives with its beauty, power, and truth.