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When the bellboy left, Parker went over to the house phone and made his call. Read the first page
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The most interesting part, apart from the action, is the attitude of these criminals. They act very happy to be completely outside the law, preying on the unprepared (and well endowed, financially). They have a completely different attitude to other people from that which most would hold, of a crop to be harvested, and if things get difficult, to be killed. The police are seen as a nuisance to be avoided if possible, and certainly not viewed with any respect or authority. And unlike Elmore Leonard's books, where the villains are mostly pretty dumb, and mostly get caught, this bunch are pretty canny, and mostly don't.
Read this book.
As THE SCORE opens, Parker is in New York for a meeting to consider the prospects of an upcoming job. On the way to the meeting he notices he is being followed. The ruthless way in which he deals with his pursuer and then the way he is completely unaffected by the encounter is an early indication of the kind of cold-hearted guy he is.
A plot has been hatched to knock over an entire town and Parker is asked to run the show. The proposition appears ludicrous at first glance. The fact that the man presenting the plan is an amateur sets off all sorts of alarm bells in Parker's head. But the lucrative nature of the proposed heist lures Parker in to make a few adjustments to the plans before he agrees that the job can be done.
Parker decides that it will take 12 men to go into the North Dakota mining town of Copper Canyon, open the safes of the town's businesses including the mining company safe which will be holding that week's payroll. They will also be opening the vault of the town's only bank for good measure.
The one-night crime spree in the town of Copper Canyon takes place with the whole operation running like clockwork...almost. It wouldn't be much fun if Parker and his crew didn't encounter any problems and the way in which Parker handles these problems speaks volumes for the `ice in the blood' way he approaches ay crisis.
The Parker books all tend to follow the same general template of plan, prepare, execute and getaway. Add to that the required plan changes due to unforeseen circumstances, such as a gang member going postal for instance, and another Parker story is complete. The style of Richard Stark is abrupt, like Parker himself. If it doesn't pertain directly to the job at hand, it isn't mentioned in the book. This lack of detail holds true when talking about such things as the background of the characters, although they are each given a thumbnail sketch, but when it comes to the planning and actually carrying out of the robbery, the detail is incredibly complete. I find that this is the strength of the Parker books and the reason that I keep coming back for more.
Parker is not the hero of this series. I mentioned in the opening that he is the anti-hero and I believe this is the most appropriate way to describe him. He is a cold, calculating criminal who would not hesitate to shoot you if you posed any threat to him or his operation. That being said, you can't help but admire the professional way in which he goes about his business.
THE SCORE was first published in 1964 and so the technology used in the heist is dated and there is no way they would get away with it in this modern world. But when you put it into the context of the time in which it was written Stark / Westlake has done a terrific job of turning a seemingly ridiculous idea into a plausible robbery, bringing up major obstacles and then having Parker and his team come up with ingenious solutions.
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