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Scissors, Paper, Stone [Paperback]

Elizabeth Day
4.7 out of 5 stars  See all reviews (9 customer reviews)
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Product details

  • Paperback: 256 pages
  • Publisher: Bloomsbury Publishing PLC (4 Jan 2011)
  • Language English
  • ISBN-10: 1408807610
  • ISBN-13: 978-1408807613
  • Product Dimensions: 23.2 x 15.2 x 2.4 cm
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Bestsellers Rank: 131,493 in Books (See Top 100 in Books)

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Elizabeth Day
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Product Description

Review

'The old game of chance and double bluff provides the title and theme of this scrupulously written, impeccably structured debut about an emotionally arid couple, their only child, and the secrets hidden under a veneer of middle-class rectitude.' --Catherine Taylor, Guardian

`The relationship between the two women is very well done - tense, hinting all the time at some fatal incident ...truly disturbing, utterly believable ... sensitive, never prurient' --Margaret Forster

`Elizabeth Day has written an absorbing and moving novel in which she has managed to convey the chronic damage that a father, wife and daughter may do to one another. Her writing is both delicate and direct, not an easy combination to effect, but she has pulled it off' --Elizabeth Jane Howard

'Deftly unpicks a daughter's troubled relationship with her mother after her father has lapsed into a coma.'
--William Skidelsky, Observer

Review

'The relationship between the two women is very well done - tense, hinting all the time at some fatal incident ...truly disturbing, utterly believable ... sensitive, never prurient' Margaret Forster 'Elizabeth Day has written an absorbing and moving novel in which she has managed to convey the chronic damage that a father, wife and daughter may do to one another. Her writing is both delicate and direct, not an easy combination to effect, but she has pulled it off' Elizabeth Jane Howard 'A daring, absorbing and beautifully-written story of damage and betrayal, this is an exhilarating and deeply affecting first novel' Jennie Rooney, author of Inside the Whale 'Written with an imagination and emotional sensitivity that elevate it far beyond the cliches of middle-class melodrama, Scissors, Paper, Stone is a moving, terrifyingly real account of how love can be bent out of all recognisable shape.' Observer

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Customer Reviews

Most Helpful Customer Reviews
5 of 5 people found the following review helpful
By P. Davy
Format:Paperback
I read this with my book club and we all enjoyed reading it and agreed it was a beautifully written book covering a disturbing family story in a subtle, soft and emotional way. I found it almost frightening how real the character of Charlotte was, dealing with her father and mother, the past and how it all influences her present. Charlotte's relationship with her mother is truely heartbreaking and the whole family makes you realise that (hopefully) your own family life is pretty good. I also loved Anne's character - as you learn the mistakes she has made in her life and how she is trapped by them and yet I felt complete sympathy for her. This was one of those books I finished and wished there was a 'hollywood style sequel' - in order to keep in touch with the characters!
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2 of 2 people found the following review helpful
Format:Paperback
When a car accident places Charles in a coma, his wife Anne and daughter Charlotte are left to examine their relationships and the events that have led them to that point.

Initially, though the prose was elegant, this did strike me as a kitchen sink drama. There is an awful lot of analogy used in consecutive sentences but as they are all very original, useful analogies it is not too distracting. The tense conversations could be a little wearing but could be excused due to the unraveling back-story. Many of the situations seemed so familiar that it was almost clichéd but that is always a risk when you are reading something that is an realistic portrayal of a normal life. Anne was a very difficult character to sympathise with and I was a little disappointed with one moment right at the end of the novel, which seemed to throw a token explanation out as to why Charles behaved the way he did. These points aside, it is Charlotte's emotional turmoil that made this novel something else, the description of her conflicted feelings and how she tries to cope felt painfully accurate. Overall, it was sometimes a difficult novel to read but there was a lot to admire in it's execution, language and delicacy.
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17 of 20 people found the following review helpful
Format:Paperback
When Charles Redfern is knocked off his bicycle and lapses into a coma, his wife Anne calmly carries on preparing the casserole for the family's dinner, barley missing a beat as she adds her vegetables to the pot and leaves to simmer. The barely-concealed hostility of this simple action quietly ignites the rest of Elizabeth Day's absorbing first novel.

Day, best known for her work as an award-winning features writer for The Observer, has taken as her first subject the damage and betrayal of a family in crisis. As Charles lies prone and fallible in hospital, the relationship between his wife and their daughter Charlotte is thrust under an uncomfortable spotlight. The chip of ice in the heart of Graham Greene's best authors is likewise at the centre of this family triangle. Charles, for years the brute heart of the family, never veers into comic villainy, but is beautifully drawn, hovering precariously between a recognisable form of middle-class passive cruelty and sheer indifference. His behaviour, which has over time subtly and insidiously hardened and splintered Anne's youthful effervescence, is deftly and elegantly handled by Day. As the strained relationships are stripped away, the gradual and unsettling sense of unease builds to the novel's shocking climax which threatens to engulf and overwhelm the fragility of the characters, each craving a resolution that is seemingly always just out of reach.
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Day's first novel is a triumph; a rich and rewarding novel from an author who has created realistic and moving characters, and who never overplays the difficult balance between tenderness and trauma. The novel dips effortlessly between the dramatic and the poetic, and lingers on long in the reader's memory.
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