Science Fiction Film (Genres in American Cinema)
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"...a solid scholarly overview of the genre and its overlapping narratives." Utopian Studies
"Telotte suggests how the science-fiction film reflects attitudes toward science, technology, and reason as they evolved over the course of the 20th century.... Telotte offers a historical overview that anchors his reasoned critical conclusions.... Valuable in any college or university library." Choice
"Telotte suggests how the science-fiction film reflects attitudes toward science, technology, and reason as they evolved over the course of the 20th century.... Telotte offers a historical overview that anchors his reasoned critical conclusions.... Valuable in any college or university library." Choice
Product Description
Science Fiction Film examines one of the most enduring and popular genres of Hollywood cinema, suggesting how the science fiction film reflects attitudes toward science, technology, and reason as they have evolved in American culture over the course of the twentieth century. J. P. Telotte provides a survey of science fiction film criticism, emphasizing humanist, psychological, ideological, feminist, and postmodern critiques. He also sketches a history of the genre, from its earliest literary manifestations to the present, while touching on and comparing it to pulp fiction, early television science fiction, and Japanese animé. Telotte offers in-depth readings of three key films: Robocop, Close Encounters of the Third Kind, and THX 1138, each of which typifies a particular form of science fiction fantasy. Challenging the boundaries usually seen between high and low culture, literature and film, Science Fiction Film reasserts the central role of fantasy in popular films, even those concerned with reason, science, and technology.
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First Sentence
Whenever students of film approach the science fiction genre, it appears they immediately find themselves facing a kind of paradox, one akin to the problematic logic built into the form's combinatory designation - that is, as science and fiction, as fact and fabrication. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
Whenever students of film approach the science fiction genre, it appears they immediately find themselves facing a kind of paradox, one akin to the problematic logic built into the form's combinatory designation - that is, as science and fiction, as fact and fabrication. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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1 of 20 people found the following review helpful
Some inaccuracies
14 Aug 2004
Format:Paperback
I have not read this entire book, but thank you, Amazon.com, for providing a sample of a page. This book starts to talk about how comic strips and comic books influenced science fiction movies and serials, which is a valid point. They mention, as a significant example, Captain Marvel. However, they say that it was Marvel Comics' Captain Marvel, drawn by "Clyde" Beck. The CM in question was actually published by Fawcett Comics and was originally drawn by Charles Clarence Beck.
I hope the rest of the book does not make such blatant errors.
I hope the rest of the book does not make such blatant errors.
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