Science Fiction Audiences
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Product Description
Review
..."as Spock would say: fascinating'."
-Nicholas J. Cull, "University of Birmingham ...recommended to those interested in fandom, audience studies and genre television
-Nicholas J. Cull, "University of Birmingham ...recommended to those interested in fandom, audience studies and genre television
Product Description
Science Fiction Audiences examines the astounding popularity of two television "institutions" - the series Doctor Who and ^Star Trek. Both of these programmes have survived cancellation and acquired an following that continues to grow. The book is based on over ten years of research including interviews with fans and followers of the series. In that period, though the fans may have changed, and ways of studying them as "audiences" may have also changed, the programmes have endured intact, with Star Trek for example now in its fourth television incarnation.
John Tulloch and Henry Jenkins dive into the rich fan culture surrounding the two series, exploring issues such as queer identity, fan meanings, teenage love of science fiction, and genre expectations. They encompass the perspectives of a vast population of fans and followers throughout Britain, Australia and the US, who will continue the debates contained in the book, along with those who will examine the historically changing range of audience theory it presents. and continue to attract a huge community of fans and followers. Doctor Who has appeared in nine different guises and Star Trek is now approaching its fourth television incarnation.Science Fiction Audiences examines the continuing popularity of two television 'institutions' of our time through their fans and followers.
Through dialogue with fans and followers of Star Trek and Dr Who in the US, Britain and Australia, John Tulloch and Henry Jenkins ask what it is about the two series that elicits such strong and active responses from their audiences. Is it their particular intervention into the SF genre? Their expression of peculiarly 'American' and 'British' national cultures. Their ideologies and visions of the future, or their conceptions of science and technology?
Science Fiction Audiences responds to a rich fan culture which encompasses debates about fan aesthetics, teenage attitudes to science fiction, queers and Star Trek, and ideology and pleasure in Doctor Who. It is a book written both for fans of the two series, who will be able to continue their debates in its pages, and for students of media and cultural studies, offering a historical overview of audience theory in a fascinating synthesis of text, context and audience study.
John Tulloch and Henry Jenkins dive into the rich fan culture surrounding the two series, exploring issues such as queer identity, fan meanings, teenage love of science fiction, and genre expectations. They encompass the perspectives of a vast population of fans and followers throughout Britain, Australia and the US, who will continue the debates contained in the book, along with those who will examine the historically changing range of audience theory it presents. and continue to attract a huge community of fans and followers. Doctor Who has appeared in nine different guises and Star Trek is now approaching its fourth television incarnation.Science Fiction Audiences examines the continuing popularity of two television 'institutions' of our time through their fans and followers.
Through dialogue with fans and followers of Star Trek and Dr Who in the US, Britain and Australia, John Tulloch and Henry Jenkins ask what it is about the two series that elicits such strong and active responses from their audiences. Is it their particular intervention into the SF genre? Their expression of peculiarly 'American' and 'British' national cultures. Their ideologies and visions of the future, or their conceptions of science and technology?
Science Fiction Audiences responds to a rich fan culture which encompasses debates about fan aesthetics, teenage attitudes to science fiction, queers and Star Trek, and ideology and pleasure in Doctor Who. It is a book written both for fans of the two series, who will be able to continue their debates in its pages, and for students of media and cultural studies, offering a historical overview of audience theory in a fascinating synthesis of text, context and audience study.
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First Sentence
Nineteen-ninety-one was a landmark year in the history of what popular journalists call 'the Star Trek phenomenon'. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Index
Nineteen-ninety-one was a landmark year in the history of what popular journalists call 'the Star Trek phenomenon'. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index
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Most Helpful Customer Reviews
1 of 3 people found the following review helpful
Format:Paperback
This book is bound to please anyone who is interested in the two biggest cults of the 20th century. Whethher Doctor Who or Star Trek, you'll find lots of interesting infromation. This book has ovbiously been well researched, and, while occasionally faltering in the use narrative, it never stops entertaining. Highly reccomended.
Most Helpful Customer Reviews on Amazon.com (beta)
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1 review
7 of 10 people found the following review helpful
Insightful but overly academic
25 Aug 2000
Format:Paperback
An academic, though interesting look at the opinions of various viewers in regards to the world's two most famous sci-fi television shows, Doctor Who and Star Trek. The Doctor Who section explores viewer reactions to (if I'm not mistaken) the Jon Pertwee story "The Monster of Peladon", an odd choice as it is not generally considered one of the more popular Doctor Who adventures. The story was chosen for analysis as it features strong social and political commentary, including the subjects of worker's rights, unionization, and women's liberation. As the book is a scholarly look at the average science-fiction viewer, it tends to be somewhat dry and difficult to follow at times. Overall an interesting oddity, though probably not for the average reader.
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