It's good that these classic performances by Sawallisch and the Staatskapelle Dresden have always held a place in EMI's catalogue in some form or other. They are now re-issued in EMI's `Great Recordings of the Century' collection and, as one reviewer has already pointed out, deservedly so as they really are great performances by any standard.
Sawallisch really does give the lie to the lazy cliché that Schumann's scoring in these works is too heavy and he proves that there is no need to retouch (a la Mahler) the instrumentation or thin it out at all. All it takes is a conductor attuned to Schumann's language and Sawallisch definitely proves himself that here.
I can't think of a single weak movement in this entire set, but the highlights are many. Tempi are well judged: in the first movement of the Rhenish the musical lines and the listener are carried along on a surge of irresistible momentum; there is a similar forward drive in all these works, but always at the service of the musical argument and nothing feels rushed. Where the music calls for it, Sawallisch has the requisite sensitivity of phrasing too - the `larghetto' of the first symphony, for example, is exquisitely done, and Sawallisch really brings out the quiet (but no less deep for that) passion implied in Schumann's frequently used direction, "mit innigkeit".
The recording still sounds good, even though it is nearly 40 years old now. It is warm but there is no lack of detail: even the timpani - so important in the first and fourth symphonies and played here on soft-headed sticks - come through with remarkable clarity and presence. The recapitulation in the Rhenish, where the horns ring out, is a thrilling moment sonically and musically; and the forebodingly tragic passage that links the scherzo and finale of the fourth symphony is as awe-inspiring here as in any performance I have heard, on modern or period instruments.
I could spend all day listing the virtues of this Schumann cycle, which I have lived with for many years and which is the one I listen to most often. Suffice it to say, for me it is the first choice without any doubt and no lover of Schumann's music should be without it.