Any recording by Jorg Demus is well worth hearing - he is after all one of the finest pianists of the last fifty years and should be better known. Here are his 1970's recordings of (almost) all of Schumann's piano music - much of it relatively little known - in performances of great insight, poetic feeling, and technical dexterity. Demus's interpretations are always historically informed and his Schumann may well well come as a surprise to those used to the vituoso approach other of other pianists like Horowitz who are, of course, playing in the tradition pioneered by Liszt.
Those who are familiar with the recordings of Fanny Davies, Adelina de Lara, and other pupils of his widow Clara will know there is another, less demonstrative, way of playing Schumann and which, it can be argued, is the most authentic. Jorg Demus's cycle is in this tradition and I find his performances in this set totally convincing and very enjoyable.
The piano Demus uses is interesting but, infuriatingly, I can't find out what it was. It certainly wasn't a modern Steinway; could it have been a mid-nineteenth century instrument? It certainly sounds similar to the Broadwood which Chopin used. Although not in perfect condition, it is absolutely ideal for the music.
Unfortunately, the recording quality is only average and, although it doesn't greatly detract from the music, this fact should be mentioned.
A truly delightful set which deserves to be in the collection of all who love piano music of the romantic era.
[I have just been informed by P W Fussey that Demus played a piano made in Vienna by Conrad Graf in 1839]