Paul Lewis and Steven Osborne are two of the most lauded pianists in England, both of them are relatively young, and both of them record frequently, e.g. Lewis's complete Beethoven sonatas
Beethoven: Complete Piano Sonatas and concertos
Beethoven: Complete Piano Concertos, and Osborne's recording of music by Kapustin (try it, you'll like it!)
Kapustin: Piano Music and Alkan
Alkan: Esquisses, Op. 63. As far as I know this is the first time the two of them have recorded together. And what a recording this is! Schubert's four-hand duets are rarely heard in concert -- although they are often played at conservatories and by talented amateurs; though they were originally written as Hausmusik (music to be played privately in homes by amateurs) they are not trivial. Indeed, the Fantasy in F Minor is one of Schubert's absolute piano masterpieces, fully equal to any of his better-known works like the sonatas, moments musicaux or impromptus. But the other pieces included herein are wonderful, too. Needless to say Osborne and Lewis play them all gorgeously.
The first piece, the Allegro in A Minor, 'Lebenstürme' ("Life's Storms") has been given a blockbuster recording, live, by James Levine and Yevgeny Kissin; this performance is quite its equal in its drama and is far better sonically. The Andantino varié in B Minor is fairly slight but it is informed by amazingly subtle harmonic and melodic gestures. I immediately played it again to partake of those delights. The Fugue in E Minor is short, three minutes or so, and is expert in its use of the fugue form, a late interest of Schubert's. I gather Schubert may have written it originally for organ. The Rondo in A Minor has a melody that could have been used by Schubert in one of his Lieder; it is genially charming. Variations on an Original Theme in A Flat Major is a big piece, lasting seventeen minutes, and in it Schubert subjects his theme to all manner of styles and forms. I've never heard a better performance than this one. Lewis and Osborne are clearly enchanted by this piece. It should be mentioned that for two pianists who don't play regularly together their sense of ensemble is amazing.
The big piece here, and the last one of the program, is the Fantasy in F Minor. My benchmark recording for this work has long been that by Murray Perahia and Radu Lupu, recorded in 1984 and never out of the catalog
Mozart: Sonata for 2 Pianos in D Major, K. 448; Schubert: Fantasia for Piano, 4 Hands in F Minor, D 940. Lewis and Osborne play it somewhat more gently than Perahia and Lupu. One noticeable difference is that in the faster portion at 7:45 of the piece their tempo is a good 25% faster than the older pianists'. I'm not sure I like it as well, but looking at the score I see that it is a valid interpretation of the score. Perahia and Lupu play that section more tenderly than Lewis/Osborne. The final moments of the piece are sometimes played with pumped-up drama; that is avoided here. The build-up to the climax is entirely believable without being over the top.
This disc is destined to be a favorite, I suspect, of pianophiles. I've had it in my player virtually non-stop for three days and can't seem to move on to anything else. I'm glad I have Perahia/Lupu but I certainly will put this disc right on the shelf next to theirs.
Enthusiastically recommended.
TT=76:06
Scott Morrison