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Two MP3 albums for £10
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We are not told who is playing primo and who secondo in any of these 3 live performances. I thought I ought to have been able to recognise Richter, but in honesty I'm not sure, at least yet. The variations may be new to me, and I like the performance without having anything to compare it with. The other two works are among Schubert's greatest, and I have slightly mixed feelings. In the F minor fantasy their tempo for the main refrain is faster than I am used to but it didn't take me long to adapt -- it is after all an allegro albeit heavily qualified. In the scherzo of the Grand Duo I shall find adaptation harder. It is a bit deliberate for ears used to the superb schwung and impetus of Brendel and Evelyne Crochet. Their speed in the last movement I doubt I shall ever accept -- it's way too fast. This movement manifestly inspired the final allegro non troppo of Brahms's piano quintet, and any sense of rush in either if them sets my teeth on edge.
I'm years out of date with the arguments regarding the identification of the lost Gastein symphony. It was once, maybe still is, thought to have been in C major, and Tovey argued that the Grand Duo was it. Tovey's normally reliable judgment was affected by his loyalty to Joachim, who had dressed it up in an excruciatingly dull Schumannesque orchestration. Anyone looking for a perfectly obvious symphony in piano score can find one easily in the so-called Reliquie sonata, which is in C major too. I don't know what the arguments against this are, but if dates and other considerations fit, surely a few genuine scholars must have made the equation before now.
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