This volume collects the first issues of Peter Milligan's work on the long-running Hellblazer title from DC's Vertigo imprint. I have been a fan of the character many years, and the only run that I've not read any issues from are the Mike Carey and Paul Jenkins runs. Like the various James Bond actors, each new writer brings their own perspective and - often - their own baggage to the character, resulting in a prism of work that explores many facets of one of comics' most fascinating characters.
The past works of Milligan's I've read was often quirky - not as off-center as that of Grant Morrison, but still Peter showed himself to be a storyteller not interested in the mere prosaic repetition of familiar tropes. I wondered what sensibility he would bring to Constantine and he does not disappoint, introducing such instantly memorable characters as Constantine's new flame Phoebe - a strong woman who almost manages to knock John off balance - and Julian, a Babylonian ekkumu who ranks (to me) as one of John's most disturbing and memorable supporting characters.
This trade paperback covers Milligan's two initial stories. The first, the title story, concerns the growth of a large "scab" across Constantine's chest and the development of his relationship with Phoebe, a medical doctor who is one of Constantine's most normal girlfriends. Milligan's take on the Constantine character as is perfect - he seems to understand that while John can be capable of doing good things, he's more often pulled astray by the need to feed his demons and fulfill his own desires (contrast this by some who seem to see John as some kind of antihero), with the good that comes from his actions more incidentally. The second story involves John being haunted by a vision of a plague "doctor", and flashbacks reveal to him (and us) a crime that occurred during this dark time in London's history.
The art on the first story is handed by Giusieppe Cammuncoli, who had pencilled the book with a different inker during the Azzarello run; Cammuncoli's work here is sketchy and earthy, which suits the story and the tone of the book and character well, save for a few facial shots where the characters seem to be biting their lips (in a distractingly unlifelike manner). However, his work on the ekkumu Julian is memorable and scary. The second story is illustrated by Goran Sudzuka in a clean but unremarkable style.
All in all, a strong promise of what might be a great run on this classic character. Definitely worth checking out for Hellblazer fans, as well as those interested in a starting place to enjoy the character.