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Whilst Beethoven (I Love To Listen To) is experimental yet catchy and I've Got A Lover (Back In Japan) tuneful and pleasant enough, it's with the buoyant Do You Want To Break Up? that the album really gathers momentum.
The next 3 songs are true classics, each mirroring a different side of Eurythmics at their most creative. The deceptively breezy You Have Placed A Chill In My Heart is a strange mix of cynicism and hope, despair and elation.
Shame is perfect 60s nostalgia at its most evocative and hypnotically tuneful, while the eerie title track creates a beautifully bleak landscape of alienation and despair - Love Is A Stranger devoid of romanticism.
Atypical of the album, I Need You has prominent acoustic guitars and a live feel. Brand New Day starts out as a moving morning-after ballad and develops into an atmospheric uptempo number.
Amongst the bonus tracks, my favourites are the extended philharmonic version of Beethoven and the dance mix of Shame. There is also a powerful live version of I Need You, and the album concludes with the Lennon/McCartney song Come Together.
The bonus tracks and the de luxe packaging has improved an already classic album by these masters of innovative synth-pop. Savage is a must-have for Eurythmics fans and all those who love timeless pop music.
After an album release per year, maybe it was just one album too many that led to it being viewed as a bit of a flop.
The sound though is that of a band doing exactly what they wanted, with a return to the electro/soul style of 'Sweet Dreams' after the loss of direction and wee bit over-commercial 'Revenge'.
For me the album really takes off after 'You Have Placed A Chill In My Heart' with every track thereafter a classic combining lyrical beauty with perfectly harmonised music.My personal favourite is the title track 'Savage', a bleakly beautiful song that tells it how it is (it must have been a scary place in their heads at the time).
A masterpice yes, but a flawed one. I think it was a mistake to to include tracks 2 & 3, I've Got A Lover (Back In Japan) & Do You Want To Break Up?, at least in this tracklisting as they are weak and more suitable as b-sides. Just ten quality tracks would have fitted with the nine or ten on most of their previous lps. Additionally, I think it was a mistake to use 'Beethoven' as the lead single when it was a bit confrontational compared to stronger tracks like 'I Need A Man' which no doubt would have achieved the higher chart placing that they deserved. A pity the album wasn't rejigged with this opportunity, however we get the extras which are of interest though not essential.
Anyway, buy the album and make-up your own mind.
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