1969 - a very exciting year for rock fans, many new styles and influences had been
appearing from all over the world and the foundations were being laid down for future
generations. Among these was Carlos Santana from Mexico, who brought a new Latin
influence to electric guitar led rock, Carlos unselfishly allowing his unrestrained
musicians to express themselves freely with exciting Latin drums, percussion and organ
openly competing with the lead instrument, but all blending in perfectly at the same
time.
Having almost stolen the show at Woodstock with a brilliant well-documented
performance of "Soul Sacrifice" Santana took the music world by storm even before this
amazing first album was released. The popular laid-back peace-loving Hippy image
belied a ruthless businesslike professionalism among musicians and artists, all competing
yet all sharing a revitalised hotbed of creativity and imagination, by this time even The
Beatles were beginning to be overshadowed by overwhelmingly talented artists such as
Santana, the Blues boom and the emergence of the Progressive revolution. Such was
the level of creative pressure at this time bands were expected to release an album (or
two) every year and they still managed to produce great music - we never had it so
good!
Santana had honed his band and his sound almost to perfection, very evident on this
milestone debut album, the crystal clarity, freshness and vitality bursts through the
speakers on every track, so much energy is here it is impossible to keep still - I
remember at the time at almost every party this sexy soulful music would be played
over and over! I still play this album regularly, often marvelling at the brilliant sound
quality and vitality it reveals.
Most of the tracks on this album are exceptional - the first "Waiting" starts gently and
features the rock organ punctuated by brief busts of guitar and bongos, but by the
second track things start to cook! The moderately paced "Evil Ways" was a huge hit for
the band, and is well-placed in the sequence of tracks here (I love the line "when I
come home, baby, my house is dark and my pots are cold.."), after liquid solos from
Carlos and Gregg Rolie on organ things literally burst into speed, a good primer for the
fast pace the songs reach in the next three tracks on side 1. "Shades of Time" slips
into a classic latin beat then literally bursts out of the speakers! An amazing catchy riff
and solo from Carlos the song then leads into "Savor" - now things are really cooking
on gas, as they say! A fast and furious Latin jam featuring percussion and organ, those
drums really come alive, and that single splash cymbal hovers way up over the
speakers, and if that wasn't enough the song is followed by another monster hit, the
instrumental "Jin-Go-Lo-Ba", used for countless TV and radio themes, the tribal drums
on this have to be heard to be believed, lauded by music fans of every genre, the beat
is magical and infectious - guaranteed to break the thickest ice!
On side 2 the pressure doesn't let up, though "Persuasion", and "You Just Don't Care"
are possibly the weakest songs on the album, but still contain some amazing
musicianship, "Treat" is an slow bluesey instrumental containing some late-nite bar room
tinkling piano, the middle section breaks into a Latin rhythm and a trademark signature
solo from Carlos, it's amazing how much emotion this man can bleed from a guitar - a
true master even at this early stage in his career. The whole album is crowned by their
masterpiece "Soul Sacrifice", eminently displayed at Woodstock where the song ran for
eleven minutes but is just over six minutes here. This instrumental has a very catchy
theme and a driving beat, which is worked around with some very energetic playing
from all musicians in turn, including those drums (Mike Shrieve) , percussion (Mike
Carabello and Jose Chepito Areas) and organ (Gregg Rolie).
This important debut was the first in a run of four of Santana's best albums, praised by
fans of all genres, and an essential masterpiece to any Jazz/Fusion collection!