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The Sand Pebbles [DVD] [1966]
 
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The Sand Pebbles [DVD] [1966]

DVD ~ Steve McQueen
4.5 out of 5 stars  See all reviews (4 customer reviews)
RRP: £12.99
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The Sand Pebbles [DVD] [1966]
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The Sand Pebbles [DVD] [1966] 4.5 out of 5 stars (4)
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Product details

  • Actors: Steve McQueen, Candice Bergen, Richard Attenborough, Richard Crenna, Marayat Andriane
  • Directors: Robert Wise
  • Format: PAL
  • Language English
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Number of discs: 1
  • Classification: 15
  • Studio: 20th Century Fox Home Entertainment
  • DVD Release Date: 18 April 2005
  • Run Time: 174 minutes
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
  • ASIN: B0007RUSM6
  • Amazon.co.uk Sales Rank: 17,690 in DVD (See Bestsellers in DVD)

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Synopsis

One of the most exciting and heart-wrenching epics ever made, THE SAND PEBBLES is a masterpiece of storytelling, with exceptional performances by a stellar cast. The complex tale begins simply enough in 1926 in China, where a group of American soldiers are patrolling the Yangtze River on a gunboat called the San Pablo. The crew members, who call themselves Sand Pebbles, includes Jake Holman (Steve McQueen), a dispassionate but capable navy machinist, and his only friend, Frenchy (Richard Attenborough), a sailor in love with an English-educated Chinese girl, Maily (Marayat Andriane), who has been sold into prostitution. Strong feelings of nationalism have been sweeping through China, however, and when Chiang Kai-Shek moves against the feudal warlords, the United States decides to treat the upheaval as a civil war, and the San Pablo is ordered to confine its function to protection of American civilians in the area. Included among them are Mr. Jameson (Larry Gates), a missionary, and Shirley Eckert (Candice Bergen), a schoolteacher with whom Jake falls in love. Soon Jake finds himself in the middle of an international military crisis when his native assistant, Po-han (Mako), is brutally tortured in an attempt to draw the San Pablo's fire. This gives the boat's inexperienced and proud captain (Richard Crenna) a an opportunity to give his humiliated ship and disgraced crew a chance of glory. THE SAND PEBBLES--with its expert cinematography, moving score, and riveting locations--is a memorable viewing experience brought to life by the multitalented director Robert Wise.

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Customer Reviews

4 Reviews
5 star:
 (3)
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 (1)
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Average Customer Review
4.5 out of 5 stars (4 customer reviews)
 
 
 
 
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6 of 6 people found the following review helpful:
5.0 out of 5 stars "I ain't got no more enemies!", 27 Nov 2007
By Trevor Willsmer (London, England) - See all my reviews
(TOP 50 REVIEWER)      
The Sand Pebbles, Robert Wise's epic tale of gunboat diplomacy in the turbulent China of the mid-Twenties is hugely ambitious and hugely expensive, yet, as with the best of his work, the focus is firmly on people, the momentous political events kept in the background until their consequences begin to overwhelm the principals. Even then, they are only drawn out of the small worlds they create for themselves (for Steve McQueen his engine room, for Candice Bergen her teaching in a remote mission) for purely personal reasons.

More than any epic of the Sixties, The Sand Pebbles seems to draw heavily on the chaos and the confusion of the then ongoing Vietnam War, so it's a real surprise that Wise seemed genuinely unaware of any parallels. Yet, perhaps because of history's tendency to repeat itself, they're all too apparent in the finished film. The enemy is unclear: one minute it is the communists who are trying to incite an incident, the next Chang Kai Shek's Nationalists (although filmed in Taiwan with his approval, it is surprisingly critical of his actions). The only constant is "Yankee go home."

McQueen's engineer Holman is pointedly referred to as a symbol of his country by his ineffectual commanding officer, but what kind? He holds no opinions, preferring to put his faith in machinery rather than people or politics, yet his mere presence is divisive. Even his own countrymen and crewmates turn against him and join in with their nominal enemies in an angry demonstration against his alleged crimes. While he projects the image of the simple, honest and misunderstand ordinary man suffering a situation not of his making that America's old guard wanted to believe of their boys in Asia, he ultimately declares his independence from a fight he cannot understand ("I ain't got no more enemies") and is only drawn back from desertion to save the woman he loves but doesn't quite understand.

The contradictory and opposed feelings of the folks at home are made clear from the opening debate on whether China can be trusted with its own destiny to Larry Gates' missionary renouncing his own nationality as he prays for a Chinese victory: he may stop short of burning the flag, but he has no qualms about cursing it ("Damn your flag! Damn all flags!").

Rather than setpiece battles (although it has a doozey of one in the last act), it is a film of escalating incidents, increasingly violent and all rendered impossible to deal with by the demands of diplomacy and provoking an endless source of black propaganda. Even when the American flag is obscured by a thick cloud of opium smoke emerging from the San Pablo's smokestack, the Americans remain innocent in principle but lose the moral high ground as they either exploit the locals for their own comfort or end up fighting among themselves.

Even the Captain's attitude is confused. He talks of duty, yet runs a slack ship for fear of giving the discontented crew an excuse for mutiny, even turning a literal blind eye to one crewmember's desertion. When it matters most, his crew openly disobey him, provoking him to consider suicide before defying orders and endangering his crew in several efforts to "die clean." The film itself has been accused of being equally confused, but it simply portrays the confusion, making no judgements. No dogma triumphs in this film, no side wins: all that is left are people forced into dealing with situations that will not profit them.

Robert Anderson's script manages to give nearly all of the characters a story of their own that are integrated into the main fabric of the plot while Wise isn't afraid to take the time each scene needs rather than rushing it, and that's repaid with uniformly excellent performances. The Oscar-nominated McQueen is in complete harmony with his role and shows remarkable sensitivity in his final scene with Marayat Andriane, whose romantic subplot with a genuinely affecting Richard Attenborough overshadows McQueen's uneasy nearly-romance with a very sweet and very young Candice Bergen. Richard Crenna is outstanding as the Captain driven to thoughts of suicide and equally suicidal heroism, with good support from Mako and a mug's gallery including Simon Oakland and Joe Turkel below decks.

A replacement for Alex North, who bowed out over concerns with the film's violence, Jerry Goldsmith's score (treated to an isolated score track with brief interview extracts wit the man himself) is one of his very best. From the tense and brooding main title over the strikingly simple design of a sampan dwarfing the gunboat to the hauntingly unresolved love theme he never overplays his hand or overdoes the Oriental flavor or the big, epic cues: they're there when needed, but all the more effective for not swamping the picture. Kudos too to Boris Leven's production design and Joseph McDonald's cinematography which, with its good use of color and location, makes 35mm look like 70mm.

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1 of 1 people found the following review helpful:
5.0 out of 5 stars Probably the best ever McQueen performance..., 23 Dec 2007
By Alejo "ADB" (Andorra) - See all my reviews
(TOP 500 REVIEWER)      
1966 is a long time ago... but as it depicts an episode of gunboat policy (historic epic) then time does not affect it. Of course Sand Peebles is the way the sailors of the gunboat SAN PABLO refer to themselves.
Excellent script, cast and performances.
Fans of epic films will love it.
Candice Bergen at her best. Subdued and not overacting... quite a counterpoint for McQueen.
See it at least once.

RECOMMENDED

ADB
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3 of 13 people found the following review helpful:
3.0 out of 5 stars Superb when it was made, now dated, 2 May 2006
My Dad loves this movie, and for months he's been encouraging me to watch it. He and I enjoy many of the same movies, though occasionally we'll come across one that just doesn't connect with me the same way it does with him. Usually, that's down to the generation gap - there are certain movies that seem very "dated" to me, though to my Dad they still seem valid. So it is with "The Sand Pebbles"... this is undoubtedly a well-made movie with a great cast, and based on a superb and epic story - however, the acting, screenplay, script and the cultural depiction of the Chinese is stereotypical of movies from an earlier generation. For me, it doesn't make the leap to the 21st century particularly well. It's worth watching, no doubt - but no longer the breathtaking epic it once was, I'm sure... still worth a look, though!
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5.0 out of 5 stars Unmitigated Classic
This movie has it all and on a personal level, being half Chinese, half Western this movie has a special resonance. But where do I start?! Read more
Published 4 months ago by K. Maloney

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