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San Patricio
 
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San Patricio

8 Mar 2010 | Format: MP3

£5.99 (VAT included if applicable)
Buy the CD album for £9.21 and get the MP3 version for FREE. Does not apply to gift orders.
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5:46

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Product details

  • Original Release Date: 8 Mar 2010
  • Release Date: 8 Mar 2010
  • Label: Universal Music Group International
  • Copyright: (C) 2010 Concord Music Group Inc.
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:01:19
  • Genres:
  • ASIN: B003921OJC
  • Average Customer Review: 4.3 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Bestsellers Rank: 48,211 in MP3 Albums (See Top 100 in MP3 Albums)

Customer Reviews

4.3 out of 5 stars
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Most Helpful Customer Reviews

25 of 25 people found the following review helpful By Fergal Woods on 20 April 2010
Format: Audio CD Verified Purchase
I have extremely mixed views about this recording project. It is ultimately an anti-climax and I doubt if I would harbour these feelings if I had just bought the CD and not this "De Luxe" version.

For starters much of the music is delightful but I started to ask why so many happy songs about such a tragic series of events ? - Paddy Moloney tap dancing away on the DVD is incongruous with the hanging and branding of Irish freedom fighters. Many of the songs on this recording appear to have nothing to do with the San Patricios, and if they have I'd like to know why there are no translations of the Spanish songs which might provide an authentic insight into this period ?

None of the Chieftains apart from Moloney appear on the DVD and one is left with the impression that most of the recording was done Stateside (only half a dozen tracks actually recorded in Mexico)and a tape was sent back to Dublin for the rest of the group to play along with! Much of the music on the disc is not played by the Chieftains at all but by excellent Mexican groups.

The DVD was also a missed opportunity to give a proper historical analysis of the San Patricios, unfortunately neither Paddy Moloney (who quotes an incorrect date in the discussion) nor Ry Cooder seem to know much about it, and they end up in a bland back-slapping conversation about the power of music to unite.

Amazon incorrectly states that Carlos Nunez is a Mexican musician - he's Galician and there's no explanation given for the Galician link with the San Patricios either. This whole recording smacks of a clever spotting of a commercial opportunity (Moloney has a cheek in jamming along to Mexican tunes played by Mexican musicians and then claiming royalties with his "trad arranged by Moloney" credit !
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10 of 10 people found the following review helpful By M. McCann on 13 April 2010
Format: Audio CD Verified Purchase
I first heard Mike Harding playing the Ry Cooder/ Chieftains track "Sands of Mexico" on BBC Radio 2 a couple of weeks ago and knew I had to get this album. The San Patricios are seen as a forgotten part of Irish history, so it is important that their stories are highlighted and the role of Irishmen who, too often had fought in imperialist armies, often found themselves on opposing sides in many of the conflicts in recent history- compare for example to the men and women who joined the International Brigades and those who joined O'Duffy' s Blueshirts in Spain a few decades later.
The mixture of Irish music and a mixture of Mexican and English lyrics make for an inspiring CD and will invoke in listeners a desire to find more about this brave bunch of men who joined the Mexicans as they fought the US. While there is actaully a small touch of an old crooner in Ry Cooder's rendition of the "Sands of Mexico" it is quality stuff throughout and the mixture of styles adds to an international feel.
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22 of 24 people found the following review helpful By G. E. Harrison TOP 500 REVIEWER on 8 Mar 2010
Format: Audio CD
Ry Cooder has collaborated with the Chieftains before, most notably on their wonderful 'Long Black Veil" CD where his three contributions "The coast of Malabar", "Dunmore lassies" and "He moved through the fair" were among the most successful collaborations. On that occasion as well as singing he played marvelous, brooding blues slide guitar which perfectly integrated with the Chieftains sound.

In his two tracks here he is firmly back in 'Chavez Ravine' mode (sadly not playing with a slide) to tell the amazing story of the Irish-American San Patricio Battalion who fought on the side of Mexico in the Mexican-American War (sounds like the plot of a Cormac McCarthy novel!) He joins the Chieftains, together with Linda Ronstadt, Lila Downs, Carlos Nunez, Liam Neeson and Los Tigres del Norte amongst many others. However, none of the guests are highlighted much, this is very much an ensemble record. At times I felt that the Irish element was being overpowered by the Mexican sound, only for it to slowly emerge from the mix. This mix shouldn't really work but somehow it does, as demonstrated in the uplifting closing track "Finale" with both musics perfectly integrated. An amazing meeting of cultures through the collaboration of very talented musicians.
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4 of 4 people found the following review helpful By Dangerous Dave TOP 500 REVIEWER on 30 April 2011
Format: Audio CD
Like the lead reviewer, I have mixed feelings about this album. In part however, I accept the blame for this. I read a bit about the album in the press and, as soon as I saw the CD in a record store, I bought it. I was mistakenly under the impression that it was a Ry Cooder project featuring the Chieftains whereas it's actually a Chieftains project featuring Cooder (and Cooder's on-album role is relatively small though one is led to believe that he was largely responsible for rounding up the excellent Mexican contributors which, if true, is credit-worthy). I've several Cooder albums in my collection though I don't automatically like everything he does. I have nothing from the Chieftains other than their collaboration with Van Morrison from way way back. But I've nothing against them (or Irish traditional music in general).

That's my background. With regard to the contents of the album, over two thirds of the songs come from the many and varied, Mexicans and almost all of these are traditional. I enjoyed many of these although I did sometimes find the presence of Paddy Moloney's whistle or pipe, a tad irritating. Sorry if that offends any Irish readers. Perhaps this is due to my lack of exposure to Paddy's charms. I would single out the tracks by Lila Downs, Chavela Vargas and Los Tigres Del Norte as highlights for me.

Although several reviewers have referred to the blending of Irish and Mexican as successful, I have to say that I was less convinced. There were parts, particularly in the Finale where I felt chunks from different cultures were just stuck together without a lot of thought given to the outcome. And I did want this to work.
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