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Product Description
Salvage is the final part of Tom Stoppard's trilogy The Coast of Utopia. It is 1852. Alexander Herzen, who left Russia five years earlier, has arrived in London in retreat from a series of public and private calamities. Revolution in Europe has hit the rocks. 'I have lost every illusion dear to me,' he says. 'I'm forty. The world will hear no more of me.' But émigré circles in London (including Karl Marx) are buzzing with plots and intrigues, and Herzen's money, as well as his sardonic wit, soon have an outlet among them. With the accession of Alexander II, 'the Reforming Tsar', Herzen's revived spirits are boosted by the arrival of his childhood friend Nicholas Ogarev with his wife Natalie. Their journal 'The Bell', smuggled into Russia, enters its heyday in the struggle for the emancipation of the serfs. Will it be reform from above or revolution from below? At home the 'new men' who once looked on Herzen as their inspiration are in a hurry, and in London he is once more at odds with Michael Bakunin, who has escaped from exile in Siberia. Meanwhile Natalie Ogarev finds in him her romantic ideal, and Herzen's public and private travails are far from over.
About the Author
Tom Stoppard was born in 1937 in Czechoslovakia. His early years were spent in Singapore, India and, from 1946, England, after his mother married an officer in the British Army. Leaving school at seventeen, Stoppard worked as a reporter in Bristol, before moving to London to work as a theatre critic and feature writer. During this period he began to write plays for radio and for the stage and published his only novel, Lord Malquist and Mr Moon. His first major success, Rosencrantz and Guildenstern are Dead, was produced in London in 1967 at the Old Vic after critical acclaim at the Edinburgh Festival. Subsequent plays include Enter a Free Man, The Real Inspector Hound, Jumpers, Travesties, Night and Day, Every Good Boy Deserves Favour (with Andre Previn), After Magritte, Dirty Linen, The Real Thing, Hapgood, Arcadia, Indian Ink, The Invention of Love, the trilogy The Coast of Utopia and Rock 'n' Roll. His radio plays include If You're Glad, I'll Be Frank, Albert's Bridge, Where Are They Now?, Artist Descending a Staircase, The Dog It Was That Died and In the Native State. Work for television includes Professional Foul and Squaring the Circle. His film credits include Empire of the Sun, Rosencrantz and Guildenstern are Dead, which he also directed, Shakespeare in Love (with Marc Norman) and Enigma.$$$In August 2002 the Royal National Theatre in London premièred Stoppard's trilogy - Voyage, Shipwreck and Salvage - three sequential self-contained plays that comprise The Coast of Utopia.
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The Herzen house in Hampstead. Read the first page
Front Cover | Copyright | Excerpt | Back Cover
The Herzen house in Hampstead. Read the first page
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5.0 out of 5 stars (1 customer review)
3 of 3 people found the following review helpful:
5.0 out of 5 stars
Herzen's struggle brought to life, 31 Aug 2003
By Brittany Huber - Published on Amazon.com
This review is from: Salvage: Part III (Coast of Utopia) (Paperback)
Tom Stoppard is arguably the single finest playwright of his generation, and the Coast of Utopia trilogy is a massive undertaking that in the hands of a less skilled author could have gone awry and badly. Stoppard though manages to make what could be a painfully pedantic history lesson into a moving portrayal of love, ideology, loss, and change.The mess of Alexander Herzen's life, and those of his closest friends and family, is tragic in a really monumental scope. There are no clear places to lay blame, nor clear winners or losers, instead the entire piece is pervaded with a sense of futility (and I don't mean this negatively), Herzen trying vainly to convince his associates that the blood being spilled is of no use, and trying to mend the broken relationships surrounding him.
The history is neither dominate or secondary to the characterization here, rather Stoppard manages to make the historical events we know (or may not know) part and parcel of the volatile and fascinating lives of some of Russias greatest citizens.
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