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Amazon.co.uk Review
Pier Paolo Pasolini's Salò or the 120 Days of Sodom (known in Italian as Salò o le 120 giornate di Sodoma) provoked howls of outrage and execration on its original release in 1975, and the controversy rages to this day. Until the British Board of Film Classification finally ventured a certificate in 2000, the movie could only be shown at private cinema clubs, and even then in severely mutilated form. The relaxation of the censors' shears allows you to see for yourself what the fuss was about, but be warned--Salò will test the very limits of your endurance. Updating the Marquis de Sade's phantasmagorical novel of the same title from 18th-century France to fascist Italy at the end of World War II, writer-director Pasolini relates a bloodthirsty fable about how absolute power corrupts absolutely. Four upper-class libertines gather in an elegant palazzo to inflict the extremes of sexual perversion and cruelty upon a hand-picked collection of young men and women. Meanwhile, three ageing courtesans enflame the proceedings further by spinning tales of monstrous depravity. The most upsetting aspect of the film is the way Pasolini's coldly voyeuristic camera dehumanises the victims into lumps of random flesh. Though you may feel revulsion at the grisly details, you aren't expected to care much about what happens to either master or slave. In one notorious episode, the subjugated youths are forced to eat their own excrement--a scene almost impossible to watch, even if you know the meal was actually composed of chocolate and orange marmalade. (Pasolini mischievously claimed to be satirising our modern culture of junk food.) Salò is the ultimate vision of apocalypse--and as if in confirmation, the director was himself brutally murdered just before its premiere. You can reject the movie as the work of an evil-minded pornographer, but you won't easily forget it. --Peter Matthews
Product Description
United Kingdom released, Blu-Ray/Region B DVD: LANGUAGES: English ( Dolby Linear PCM ), Italian ( Dolby Linear PCM ), English ( Subtitles ), WIDESCREEN (1.85:1), SPECIAL FEATURES: Booklet, Documentary, Interactive Menu, Remastered, Scene Access, Short Film, Trailer(s), SYNOPSIS: Pier Paolo Pasolini's Salò or the 120 Days of Sodom (known in Italian as Salò o le 120 giornate di Sodoma) provoked howls of outrage and execration on its original release in 1975, and the controversy rages to this day. Until the British Board of Film Classification finally ventured a certificate in 2000, the movie could only be shown at private cinema clubs, and even then in severely mutilated form. The relaxation of the censors' shears allows you to see for yourself what the fuss was about, but be warned--Salò will test the very limits of your endurance. Updating the Marquis de Sade's phantasmagorical novel of the same title from 18th-century France to fascist Italy at the end of World War II, writer-director Pasolini relates a bloodthirsty fable about how absolute power corrupts absolutely. Four upper-class libertines gather in an elegant palazzo to inflict the extremes of sexual perversion and cruelty upon a hand-picked collection of young men and women. Meanwhile, three ageing courtesans enflame the proceedings further by spinning tales of monstrous depravity. The most upsetting aspect of the film is the way Pasolini's coldly voyeuristic camera dehumanises the victims into lumps of random flesh. Though you may feel revulsion at the grisly details, you aren't expected to care much about what happens to either master or slave. In one notorious episode, the subjugated youths are forced to eat their own excrement--a scene almost impossible to watch, even if you know the meal was actually composed of chocolate and orang...Salò, or the 120 Days of Sodom ( Salò o le 120 giornate di Sodoma ) ( Salo ou les 120 journées de Sodome ) (Blu-Ray)
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126 of 138 people found the following review helpful
Format:DVD
There are few movies out there, if any, that can generate as much ire and disgust as Pasolini's "Salò o le 120 giornate di Sodoma". Over the years, the film has created this almost mythical quality around itself, if mostly for the fact that it's still banned / badly cut in many countries around the World (Including Australia; so much for the Enlightenment). Not so for us lucky Brits - The BBFC has passed the uncut edition since the Halcyon Days of 2000, when I was lucky enough to view it on Film4 late at night. Make no mistakes, if any film has the ability to transform you into a gibbering, crying mess, it's this one.
Not for the Faint-Hearted? You'd better believe it.
And thus, it's hard to really "recommend" this film to anyone, as you wouldn't really "recommend" divorce - But it's a life experience you can gain valuable knowledge from. The film takes it's inspiration / Modus Operandi from the Marquis De Sade's notorious novel "The 120 Days of Sodom" , which, if you have read it, you will know perfectly well what you can expect from the film. Transporting the setting to Mussolini-Era Fascist Italy, four Aristocratic Libertines subject their young subjects to Sexual Manipulation and Torture, both physical and psychological. Pasolini does not shun from showing these in all their brightest colours, and considering that the great man was murdered mere months after the film's premiere, it can be surmised that it raised much anger amongst those artistically inclined. Watch at your peril, without Mother and Children preferably.
Notes on the 2-Disc BFI edition itself - The film has been released before, on Criterion and BFI in the '90s. Both were of poor quality and, thanks to Pasolini's estate revoking Criterion's rights to sell the film, made this edition the rarest / most expensive in the World; well, no longer a problem. The BFI has ported over the Criterion release mainly (Here's hoping it isn't a direct NTSC-to-PAL port, the quality will suffer), apart from one particular bonus: a 25-second sequence that has never been released before showing a reading of a Gottfried Benn poem. Nothing remarkable, but it's something.
It's been said before that for Art to be effective, it must be dangerous. "Salò" is more dangerous than Ebola.
Not for the Faint-Hearted? You'd better believe it.
And thus, it's hard to really "recommend" this film to anyone, as you wouldn't really "recommend" divorce - But it's a life experience you can gain valuable knowledge from. The film takes it's inspiration / Modus Operandi from the Marquis De Sade's notorious novel "The 120 Days of Sodom" , which, if you have read it, you will know perfectly well what you can expect from the film. Transporting the setting to Mussolini-Era Fascist Italy, four Aristocratic Libertines subject their young subjects to Sexual Manipulation and Torture, both physical and psychological. Pasolini does not shun from showing these in all their brightest colours, and considering that the great man was murdered mere months after the film's premiere, it can be surmised that it raised much anger amongst those artistically inclined. Watch at your peril, without Mother and Children preferably.
Notes on the 2-Disc BFI edition itself - The film has been released before, on Criterion and BFI in the '90s. Both were of poor quality and, thanks to Pasolini's estate revoking Criterion's rights to sell the film, made this edition the rarest / most expensive in the World; well, no longer a problem. The BFI has ported over the Criterion release mainly (Here's hoping it isn't a direct NTSC-to-PAL port, the quality will suffer), apart from one particular bonus: a 25-second sequence that has never been released before showing a reading of a Gottfried Benn poem. Nothing remarkable, but it's something.
It's been said before that for Art to be effective, it must be dangerous. "Salò" is more dangerous than Ebola.
67 of 76 people found the following review helpful
Format:VHS Tape
'Salo' is one of the few films I've seen that on one hand is compulsive (in a rubbernecking kinda way) and repulsive. The tone is probably the darkest I've ever seen in a film- which itself is more disturbing than the violence- which is sickening (by design) but not throwaway nihilistic like Tarantino, Arnie or 'Black Hawk Down'...Viewing is aided by the excellent '120 Days of Sodom' and the accompanying essays (some reccomended in the title sequence here). But don't worry- this film says very little- over and over again. Which is its message...Pasolini places a Dantean-triptych onto Sade's text, reducing the 120 days to 3 (which feel like forever)and setting it to the fascist backdrop of Salo during World War II. Not that this is a historical film- the comment on the allure of Fascism to Italy is one that recurs. Here Pasolini dispenses with the celebration of life offerred in films like 'Medea', 'The Decameron' & 'The Canterbury Tales'. This is like 'Porcille' magnified or the design of 'Theorum' applied to the horrors of fascism in practice...The film begins with the sole beautiful shot of a harbour-which could have come from Antonioni or Bertolucci. Then the libertines marry each others daughters, kidnap (?) the peasants who will become the ****ers (though we think they are to be the victims.), audition their victims and transplant them to the hell of an unseen machine-like world. This is where the rape and torture and ****eating begins (though Pasolini puts the latter down to a comment on fast-food consumption). There are lots of scenes of sexual depravity, prosthetic-penises and an oblique reference to Communism. Then, the Circle of Blood- which is horror in its truest sense. The black-comic punchline of the two dancing f***ers asking about each others girlfriend makes this film all the more horrifying...That said, because a film's subject is abhorrent should not mean you can dismiss this major work. I feel it is all the more pertinent when we consider such events as Pinochet's Chile, the atrocities in the Balkans and the backward-spectre of the Holocaust. This film depicts the philosophy of power in its most dominant, vile sense. It is unsuprising that this was Pasolini's final film- he would be murdered in suspicious circumstances (see 'Whoever Speaks the Truth Shall Die')and this is an assault on the world he lived in. Along with 'Accatone','The Gospel According to St Matthew', 'La Ricotta','Mamma Roma' and 'Theorum' this is one of Pasolini's major works. And one that people should watch to see the true power of cinema.
3 of 3 people found the following review helpful
Format:DVD
Crikey! This film was recommended to me by a fellow film studies student during a conversation about the fascist/Nazi movement in Italy. She didn't go into detail about the content of the film but I wish she had. Luckily I watched this alone and not with my girlfriend, I think maybe she would have frowned a little at my Saturday night viewing choice. It is very good and very daring of someone to tackle this epic film - I say epic, as although geographically it is not epic (it is all set in pretty much one building/several rooms), it is very uniquely shot, styled and performed.
I don't think Ixcould watch it again as it depicts some utterly depraved acts upon innoncent youths. Although most of whom seem extremely calm considering the dire circumstances they are facing - it still made me feel very sympathetic towards them. It frustrated me that none of them attempt to overpower their captors and exact revenge on them. I think this was obviously the directors intent, to leave you feeling completely helpless.
It's a very dark film, but also very intruiging and at time beautifully shot, particularly from a behind the scenes point of view - I believe many of the scenes were not fully communicated to the actors, so that when certain shocking events occur, a sense of reality was acheived from their reactions. There are several documentaries included on the DVD and these are really interesting and the packaging is top notch. Not for the faint hearted.
I don't think Ixcould watch it again as it depicts some utterly depraved acts upon innoncent youths. Although most of whom seem extremely calm considering the dire circumstances they are facing - it still made me feel very sympathetic towards them. It frustrated me that none of them attempt to overpower their captors and exact revenge on them. I think this was obviously the directors intent, to leave you feeling completely helpless.
It's a very dark film, but also very intruiging and at time beautifully shot, particularly from a behind the scenes point of view - I believe many of the scenes were not fully communicated to the actors, so that when certain shocking events occur, a sense of reality was acheived from their reactions. There are several documentaries included on the DVD and these are really interesting and the packaging is top notch. Not for the faint hearted.
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Most Recent Customer Reviews
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I have never been so misled by the hype for this travesty! I tried watching this absolute drivel but after a few minutes was revolted by the so called storyline. Read more
Published 4 months ago by Duffer
not a film to like but one that must be seen
For film fans it is something that has to be experienced , at times shocking , absurd , horrid . yes it is dated , but rather like Caligua, just yuck rather than lust . Read more
Published 5 months ago by cartoon
"SALO" (DVD + Blu-ray, BFI, Released 23 May 2011)
BACK/INSIDE COVER DETAILS
Italy,France\1975\colour\Italian language,optional English subtitles\117 minutes\Original aspect ratio 1. Read more
Italy,France\1975\colour\Italian language,optional English subtitles\117 minutes\Original aspect ratio 1. Read more
Published 7 months ago by Mr. MM Dance
The cover is the best bit.
All I can say is I have never been more dissapointed.
Bad acting and just really showing its age.
Yes the subject matter is disturbing but this is just a bad film.
Bad acting and just really showing its age.
Yes the subject matter is disturbing but this is just a bad film.
Published 8 months ago by DUG
Salò [Blu-ray]
I had never heard of Salò until a workmate mentioned obtaining the film on VHS - as it was difficult to obtain. Read more
Published 11 months ago by Shaun
Unreviewable...
It is impossible to review this film in the context of 'stars'...
Both unmissable as it is unwatchable...It does what it sets out to do... Read more
Both unmissable as it is unwatchable...It does what it sets out to do... Read more
Published 11 months ago by Mr. D. Chowdhury
The biggest form of torture was watching this dvd
As a fan of Marquis de Sade for the fact he explores human depravity and how power corrupts absolutely as well as human preoccupation with the body I was really looking forward to... Read more
Published 12 months ago by Ms. R. E. Winfield
Fantastic Transfer!
The Blu-Ray transfer of this movie is astounding. The opening credits appear as if some clean-up is needed, but once the movie starts, this is 1080p all the way. Read more
Published 12 months ago by JMB
Nae very nice
A great package of film and extras.
The film is hard to take and not something for the squeamish. Read more
The film is hard to take and not something for the squeamish. Read more
Published 13 months ago by Ian R. Mrs Crighton
erm ???
I HAVE GIVEN THIS FILM 5 STARS ONLY ON THE MERIT THAT I AM SURE THERE WILL NEVER BE ANOTHER FILM PRODUCTION LIKE THIS,ANY STUDIO TODAY WOULD THROW THE WHOLE IDEA & CONCEPT STRAIGHT... Read more
Published 16 months ago by D. barnett
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