 |
| ||
Album Savings: £0.70 compared to buying all songs
- Original Release Date: 20 Oct 2008
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
MP3 Songs
Previous
Play all
Next
Play all samples
MP3
Paused
Loading ...
Unavailable
Loading ...
Volume slider
Mute/Unmute
To view this content, download Flash player (version 9.0.0 or higher)
| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Bebey | 4:54 | £0.79 | ||
| Play | 2. First Communion | 3:05 | £0.79 | ||
| Play | 3. Blue Nile | 3:09 | £0.79 | ||
| Play | 4. Vacuum | 4:13 | £0.79 | ||
| Play | 5. Princes feat. Tinchy Stryder | 4:26 | £0.79 | ||
| Play | 6. Inner Pace | 4:15 | £0.79 | ||
| Play | 7. Afoot | 3:25 | £0.79 | ||
| Play | 8. House Jam | 4:44 | £0.79 | ||
| Play | 9. Interlude (No Known Home) | 1:16 | £0.79 | ||
| Play | 10. Desert Storm | 5:10 | £0.79 | ||
| Play | 11. Dust | 5:30 | £0.79 |
Sold by Amazon Media EU S.à r.l. By placing your order, you agree to our Terms of Use.
Product details
|
Customer Reviews
Most Helpful Customer Reviews
4 of 4 people found the following review helpful
Format:Audio CD
On Saint Dymphna, Gang Gang Dance does very similar to what Battles did last year, or what bands like This Heat and The Pop Group achieved in the late 80's and early 70's respectively; hint at seemingly every single popular stylistic trend and genre that can be identified in modern underground music, yet craft an end-product that has almost no touchstone on the planet. Also like Battles and The Pop Group, hypnotic exploration of grooves, twitch-jerk unpredictability and the avant garde are the unifying philosophy behind everything here. But listening to Saint Dymphna, there's no telling where it'll be from track to track. shoegaze, post-rock, tribal world music, hip hop, dance punk, psychedellia, vocal samples, spoken word, noise, and all the bloops and beeps of club music are just a fraction of the elements that the band touches upon, often all within the same track, and none of which can even approximate a description of what listening to this album is like.
"Vacuum" sways to trash can drums while some sort of cybernetic wailing melodically mimics a guitar effect from Loveless. Spazzed out dance tracks like "First Communion" and "Desert Storm" are cluttered with spontaneous shrieks and howls, while punchy guitar squalls and constantly shifting percussion alternates with piercing synth effects. "Dust" and "Inners Pace" are the ambient explorations with electronics, samples and third world music that David Byrne and Brian Eno should've been doing this year. Then somehow, somewhere in between all this chaos, there's the song of the year, "House Jam," a club-friendly masterpiece of a song, which really just has to be heard in order to be believed. Timbaland once called M.I.A the "music of the future," but her minimalist meandering sounds like oldies in comparison to the masterful brushstroke of post-modern style and experimentalism that is achieved here. (Aron Fischer)
For fans of: Cut Copy, MIA, The Pop Group, Battles, The Knife
"Vacuum" sways to trash can drums while some sort of cybernetic wailing melodically mimics a guitar effect from Loveless. Spazzed out dance tracks like "First Communion" and "Desert Storm" are cluttered with spontaneous shrieks and howls, while punchy guitar squalls and constantly shifting percussion alternates with piercing synth effects. "Dust" and "Inners Pace" are the ambient explorations with electronics, samples and third world music that David Byrne and Brian Eno should've been doing this year. Then somehow, somewhere in between all this chaos, there's the song of the year, "House Jam," a club-friendly masterpiece of a song, which really just has to be heard in order to be believed. Timbaland once called M.I.A the "music of the future," but her minimalist meandering sounds like oldies in comparison to the masterful brushstroke of post-modern style and experimentalism that is achieved here. (Aron Fischer)
For fans of: Cut Copy, MIA, The Pop Group, Battles, The Knife
1 of 1 people found the following review helpful
Format:Audio CD
I first came across GGD at an ATP festival and off the back of this chance live encounter bought the 'God's Money' album which unfortunately left me massively disappointed... loads of idea's going on but no direction.
Since then i stayed well clear until my brother convinced me that this album was worth taking notice off. I pleased to say that progress is massive and GGD seem to have condensed the excitement & variety of their live show into a focused record with a unique sound.
Quality is consistent throughout the album, however 'Saint Dymphna' does have some a few tracks that stand out massively, namely 'Princes' which features Titchy Stryder. Marrying the grimey beats & delivery of Stryder with the etherial vocals of GGD creates a track that is guaranteed to fill any dancefloor.
It's great to see a genuinely unique and talented band given the time develop their sound. As their first release on Warp it once again shows the label's impeccable taste and ability to get the best out of diverse artists.
Since then i stayed well clear until my brother convinced me that this album was worth taking notice off. I pleased to say that progress is massive and GGD seem to have condensed the excitement & variety of their live show into a focused record with a unique sound.
Quality is consistent throughout the album, however 'Saint Dymphna' does have some a few tracks that stand out massively, namely 'Princes' which features Titchy Stryder. Marrying the grimey beats & delivery of Stryder with the etherial vocals of GGD creates a track that is guaranteed to fill any dancefloor.
It's great to see a genuinely unique and talented band given the time develop their sound. As their first release on Warp it once again shows the label's impeccable taste and ability to get the best out of diverse artists.
1 of 1 people found the following review helpful
Format:Vinyl
On Saint Dymphna, Gang Gang Dance does very similar to what Battles did last year, or what bands like This Heat and The Pop Group achieved in the late 80's and early 70's respectively; hint at seemingly every single popular stylistic trend and genre that can be identified in modern underground music, yet craft an end-product that has almost no touchstone on the planet. Also like Battles and The Pop Group, hypnotic exploration of grooves, twitch-jerk unpredictability and the avant garde are the unifying philosophy behind everything here. But listening to Saint Dymphna, there's no telling where it'll be from track to track. shoegaze, post-rock, tribal world music, hip hop, dance punk, psychedellia, vocal samples, spoken word, noise, and all the bloops and beeps of club music are just a fraction of the elements that the band touches upon, often all within the same track, and none of which can even approximate a description of what listening to this album is like.
"Vacuum" sways to trash can drums while some sort of cybernetic wailing melodically mimics a guitar effect from Loveless. Spazzed out dance tracks like "First Communion" and "Desert Storm" are cluttered with spontaneous shrieks and howls, while punchy guitar squalls and constantly shifting percussion alternates with piercing synth effects. "Dust" and "Inners Pace" are the ambient explorations with electronics, samples and third world music that David Byrne and Brian Eno should've been doing this year. Then somehow, somewhere in between all this chaos, there's the song of the year, "House Jam," a club-friendly masterpiece of a song, which really just has to be heard in order to be believed. Timbaland once called M.I.A the "music of the future," but her minimalist meandering sounds like oldies in comparison to the masterful brushstroke of post-modern style and experimentalism that is achieved here. (Aron Fischer)
For fans of: Cut Copy, MIA, The Pop Group, Battles, The Knife
"Vacuum" sways to trash can drums while some sort of cybernetic wailing melodically mimics a guitar effect from Loveless. Spazzed out dance tracks like "First Communion" and "Desert Storm" are cluttered with spontaneous shrieks and howls, while punchy guitar squalls and constantly shifting percussion alternates with piercing synth effects. "Dust" and "Inners Pace" are the ambient explorations with electronics, samples and third world music that David Byrne and Brian Eno should've been doing this year. Then somehow, somewhere in between all this chaos, there's the song of the year, "House Jam," a club-friendly masterpiece of a song, which really just has to be heard in order to be believed. Timbaland once called M.I.A the "music of the future," but her minimalist meandering sounds like oldies in comparison to the masterful brushstroke of post-modern style and experimentalism that is achieved here. (Aron Fischer)
For fans of: Cut Copy, MIA, The Pop Group, Battles, The Knife
Would you like to see more reviews about this item?
Were these reviews helpful?
Let us know
Most Recent Customer Reviews
Vibrant, textured and complex.
Saint Dymphna is the sort of album you will enjoy if bands like SALEM, Yeasayer and Koudlam are your deal. It's not an album you'll enjoy if bands like Snow Patrol are. Read more
Published 22 months ago by JF BOWYER
Patchy
Flashes of brilliance but mostly a disappointing unpleasant noise which never lives up to its potential.
Published on 28 Feb 2009 by R. Leech
Gang Gang goes bang (8.5/10)
Long-time darlings of New York's ultra-hip, art-conscious underground music scene, Gang Gang Dance look braced to make a wider breakthrough with their new album `Saint Dymphna`,... Read more
Published on 9 Oct 2008 by Demob Happy
Customer Discussions
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
What Other Items Do Customers Buy After Viewing This Item?
Look for similar items by category
