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Product Description
Review
Being equally concerned with musical and artistic endeavours, the members of Brooklyn-based Gang Gang Dance are firmly embedded within the New York scene derided recently by Santogold in 'L.E.S. Artistes'. But it's hard to find any pretentiousness to dislike in their fourth album St Dymphna, a celebration of all the dance genre not only has encapsulated, but can possibly encapsulate with a little imagination.
Former studio mates of Animal Collective and Black Dice, the band share their love of the avant garde, while simultaneously aiming for the inclusive. This is especially evident on St Dymphna, the most accessible and danceable collection of their career so far, on which experimental instrumentation is included, but vitally not at the expense of rhythm.
Founders Tim Dewitt and Brian Degraw have been gifted with an almost telepathic rhythmic relationship according to their bandmates, and this correlation of ideas is satisfyingly evident on tracks like Inners Pace. An amalgam of widely varying rhythms ebb to and from the fore, allowing the listener to create a different aural experience for themselves each time.
It is this masterful layering of sound, largely credited to Dewitt, that makes the album both interesting and accessible. Vacuum leans towards classic shoegaze, with foreboding guitar reminiscent of the Cocteau Twins' Violaine, while First Communion and single House Jam give away the band's N.Y ties with their distinctly DFA tinged bassline. Alongside these references to the modern, the more expected eastern flavours and African drumming are also present; most overtly in opener Bebey and the closing Dust.
A truly transcontinental collaboration presents itself in the form of Princes, featuring East London grime artist Tinchy Stryder. The track effortlessly combines an easily recognisable grime beat with bongos, keys and a string break. Add to this the adaptable vocal of Liz Bougatsos and you have the epitome of a perfect contemporary hybrid.
As is often the case with albums of this ilk, it takes a good few listens to really appreciate and understand the intricate workings of St Dymphna, but the effort is worth the reward. If you like landscapes with your soundscapes, this one's for you. --Keira Burgess
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Gang Gang Dance- Saint Dymphna LP Review (8.9/10),
By experimusicdotcom "experiment with music" (united kingdom) - See all my reviews
This review is from: Saint Dymphna (Audio CD)
On Saint Dymphna, Gang Gang Dance does very similar to what Battles did last year, or what bands like This Heat and The Pop Group achieved in the late 80's and early 70's respectively; hint at seemingly every single popular stylistic trend and genre that can be identified in modern underground music, yet craft an end-product that has almost no touchstone on the planet. Also like Battles and The Pop Group, hypnotic exploration of grooves, twitch-jerk unpredictability and the avant garde are the unifying philosophy behind everything here. But listening to Saint Dymphna, there's no telling where it'll be from track to track. shoegaze, post-rock, tribal world music, hip hop, dance punk, psychedellia, vocal samples, spoken word, noise, and all the bloops and beeps of club music are just a fraction of the elements that the band touches upon, often all within the same track, and none of which can even approximate a description of what listening to this album is like."Vacuum" sways to trash can drums while some sort of cybernetic wailing melodically mimics a guitar effect from Loveless. Spazzed out dance tracks like "First Communion" and "Desert Storm" are cluttered with spontaneous shrieks and howls, while punchy guitar squalls and constantly shifting percussion alternates with piercing synth effects. "Dust" and "Inners Pace" are the ambient explorations with electronics, samples and third world music that David Byrne and Brian Eno should've been doing this year. Then somehow, somewhere in between all this chaos, there's the song of the year, "House Jam," a club-friendly masterpiece of a song, which really just has to be heard in order to be believed. Timbaland once called M.I.A the "music of the future," but her minimalist meandering sounds like oldies in comparison to the masterful brushstroke of post-modern style and experimentalism that is achieved here. (Aron Fischer) For fans of: Cut Copy, MIA, The Pop Group, Battles, The Knife
1 of 1 people found the following review helpful:
4.0 out of 5 stars
Early expectations exceeded,
By
This review is from: Saint Dymphna (Audio CD)
I first came across GGD at an ATP festival and off the back of this chance live encounter bought the 'God's Money' album which unfortunately left me massively disappointed... loads of idea's going on but no direction.Since then i stayed well clear until my brother convinced me that this album was worth taking notice off. I pleased to say that progress is massive and GGD seem to have condensed the excitement & variety of their live show into a focused record with a unique sound. Quality is consistent throughout the album, however 'Saint Dymphna' does have some a few tracks that stand out massively, namely 'Princes' which features Titchy Stryder. Marrying the grimey beats & delivery of Stryder with the etherial vocals of GGD creates a track that is guaranteed to fill any dancefloor. It's great to see a genuinely unique and talented band given the time develop their sound. As their first release on Warp it once again shows the label's impeccable taste and ability to get the best out of diverse artists.
1 of 1 people found the following review helpful:
5.0 out of 5 stars
Gang Gang Dance- Saint Dymphna Vinyl Review (8.9/10),
By experimusicdotcom "experiment with music" (united kingdom) - See all my reviews
This review is from: Saint Dymphna [VINYL] (Vinyl)
On Saint Dymphna, Gang Gang Dance does very similar to what Battles did last year, or what bands like This Heat and The Pop Group achieved in the late 80's and early 70's respectively; hint at seemingly every single popular stylistic trend and genre that can be identified in modern underground music, yet craft an end-product that has almost no touchstone on the planet. Also like Battles and The Pop Group, hypnotic exploration of grooves, twitch-jerk unpredictability and the avant garde are the unifying philosophy behind everything here. But listening to Saint Dymphna, there's no telling where it'll be from track to track. shoegaze, post-rock, tribal world music, hip hop, dance punk, psychedellia, vocal samples, spoken word, noise, and all the bloops and beeps of club music are just a fraction of the elements that the band touches upon, often all within the same track, and none of which can even approximate a description of what listening to this album is like."Vacuum" sways to trash can drums while some sort of cybernetic wailing melodically mimics a guitar effect from Loveless. Spazzed out dance tracks like "First Communion" and "Desert Storm" are cluttered with spontaneous shrieks and howls, while punchy guitar squalls and constantly shifting percussion alternates with piercing synth effects. "Dust" and "Inners Pace" are the ambient explorations with electronics, samples and third world music that David Byrne and Brian Eno should've been doing this year. Then somehow, somewhere in between all this chaos, there's the song of the year, "House Jam," a club-friendly masterpiece of a song, which really just has to be heard in order to be believed. Timbaland once called M.I.A the "music of the future," but her minimalist meandering sounds like oldies in comparison to the masterful brushstroke of post-modern style and experimentalism that is achieved here. (Aron Fischer) For fans of: Cut Copy, MIA, The Pop Group, Battles, The Knife
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