- Actors: Hitomi Kuroki, Tsurutarô Kataoka, Norihei Miki, Kippei Shiina, Toshie Negishi
- Directors: Nobuhiko Ohbayashi
- Writers: Yûko Nishizawa
- Producers: Kyôko Ôbayashi, Toshio Nabeshima
- Format: Black & White, Colour, DVD-Video, NTSC
- Language Japanese
- Subtitles: English
- Region: Region 1 (US and Canada DVD formats.)
- Aspect Ratio: 4:3 - 1.33:1
- Number of discs: 1
- Classification: Unrated (US MPAA rating. See details.)
- Studio: Homevision
- DVD Release Date: 10 Aug 2004
- Run Time: 132 minutes
- ASIN: B0002DB540
- Amazon Bestsellers Rank: 157,846 in Film & TV (See Top 100 in Film & TV)
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4 reviews
4 of 6 people found the following review helpful
A unique and impressive film
30 Mar 2008
Format:DVD
Sada, based on the life of Sada Abe, is entirely different in character from In The Realm Of The Senses (I.T.R.O.T.S., if you will), and the two films approach every aspect of the story differently. Unlike I.T.R.O.T.S., Sada is a highly surreal film in which the tragic life of Sada Abe is explored, though not without humor (including a scene or two reminiscent of an old Keystone Cops skit) and basically without the volumes of nudity that I.T.R.O.T.S. contains. It might be said that in contrast to I.T.R.O.T.S., which I found tedious due to its dull plot and extensive focus on obsessive sexuality (if I want porn, I'll rent the real stuff, thank you) Sada is a film which approaches the character of Sada Abe with as much interest in her emotional obsession with being loved and her reaction to being abused as with her sexual obsession. Despite the surreal nature of the film, it provides a more rounded picture of and does a better job of humanizing Sada Abe than I.T.R.O.T.S. did, and the film style itself manages to entertain the viewer while a tragedy takes place on screen before them. A difficult film to explain, it is highly worth seeing, particularly for anyone interested in Asian cinema, unusual film styles, or just the somewhat compelling story of Sada Abe herself.
Sada and Empire of the Senses
10 Jan 2011
Format:DVD|Amazon Verified Purchase
This is one of two Japanese films I've seen about Aba Sada, who murdered her lover, castrated him and was arrested a few days later with his genitals still in her possession. The crime was understandably notorious in Japan and Sada herself became a sort of celebrity. Her punishment was rather mild, considering the nature of the crime, but there were mitigating circumstances. The other film is In the Realm of the Senses. The latter is probably superior purely as cinema and as drama, but Sada is also interesting and provides more information about Sada and her crime. The guality of the video in the case of "Sada" is not as good as the Criterion Collection print of "Realm of the Senses". The latter is controversial for a good deal of very explicit sex, some not even simulated. "Sada" is not very explicit at all, and implies a good deal more than it shows. On the other hand, Empire of the Senses is really beautifully photographed and very carefully directed, and has a power lacking in the less explicit Sada, meaning that the film conveys a strong sense of tragedy and doom, while "Sada" is almost too light in tone for the subject.
More a stylized film than a biography
14 July 2010
Format:DVD
Forget that this is another entry in the dramatization of Sada Abe's life and crime of killing her lover and cutting off his man-parts, most infamously portrayed in the sexually explicit In the Realm of the Senses, and ignore all the commentary that molds the story into a historical and social context for your academic pleasure, and never mind that these kinds of stories always start off with the girl being raped as a teenager. All those things involve too much thinking. Just kick back and enjoy this as another odd but fairly well-executed film by director Nobuhiko Obayashi.
The first things you'll notice about the film are the narrative and filmic techniques used by Obayashi. Characters break the Fourth Wall; there's a mix of black & white and color photography which is interesting and useful some times and random at others; some jump-cut editing use is mostly abandoned after the first act; the costuming, both traditional and modern, is gorgeous; there's a fabulous stop-motion sequence in the middle that starts with Sada reading a book while her lover sits near her having a snack, they do the hanky-panky and then resume their initial activities, and there are several moments of Keystone Kops style comedy. After that you should find it to be a fascinating character study of a strong and intelligent woman.
Hitomi Kuroki is amazing as Sada. Her characterization remains a constant as she effortlessly transitions through the varied styles of presentation Obayashi employs. She is always elegant, beautiful, sensuous, and in control. She is also very genuine, which comes off as quite sexy. (For the curious, there is zero nudity in this version of the story, not even a glimpse of Sada's notoriously cute butt. The closest we get, in a brilliant directorial move, is an odd-angled, extreme close-up of her fully kimonoed posterior. There are lots of bare shoulders and legs and several sex scenes but they are mostly played either artfully or comically.)
Sada may serve it's nominal content respectfully and respectably but it comes off so much more as a film than a biography that if it's approached with an educational curiosity its style may frustrate. Watch it for the whimsical stylings of the director and the lovely and remarkable performance of Hitomi Kuroki.
The first things you'll notice about the film are the narrative and filmic techniques used by Obayashi. Characters break the Fourth Wall; there's a mix of black & white and color photography which is interesting and useful some times and random at others; some jump-cut editing use is mostly abandoned after the first act; the costuming, both traditional and modern, is gorgeous; there's a fabulous stop-motion sequence in the middle that starts with Sada reading a book while her lover sits near her having a snack, they do the hanky-panky and then resume their initial activities, and there are several moments of Keystone Kops style comedy. After that you should find it to be a fascinating character study of a strong and intelligent woman.
Hitomi Kuroki is amazing as Sada. Her characterization remains a constant as she effortlessly transitions through the varied styles of presentation Obayashi employs. She is always elegant, beautiful, sensuous, and in control. She is also very genuine, which comes off as quite sexy. (For the curious, there is zero nudity in this version of the story, not even a glimpse of Sada's notoriously cute butt. The closest we get, in a brilliant directorial move, is an odd-angled, extreme close-up of her fully kimonoed posterior. There are lots of bare shoulders and legs and several sex scenes but they are mostly played either artfully or comically.)
Sada may serve it's nominal content respectfully and respectably but it comes off so much more as a film than a biography that if it's approached with an educational curiosity its style may frustrate. Watch it for the whimsical stylings of the director and the lovely and remarkable performance of Hitomi Kuroki.
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