As someone who has sung in this tradition for most of my life, this is a wonderful opportunity to revisit some of my favourite repertoire and to have it set in its historical and social context. Very illuminating. More significantly, perhaps, is the attention this series turns on the art of choral singing and the precious value of sacred music, at a time when is very existence is threatened. Were it not for the endowed choral institutions of the great cathedrals and Oxbridge colleges, this priceless tradition in the UK might already have gone the way it has in the rest of Europe and the wider Western-Christian world: virtual extinction. I now live in Germany, birthplace of Bach, where the paucity of decent choirs - let alone good choirs - is striking. Finding a choir that can technically master Bach is rare now, and the prevailing level is low to poor. In France and Italy, almost non-existent. The few clips this DVD offers of Italian choirs attempting this repertoire are tellingly awful. The choir of the Sistine Chapel would not even make the relegation league reserves' XI of the English choral hierarchy.
While I lose myself in the wonderful music that comprises this series, and the superb singing and musical direction of the Sixteen, I am reminded that, without such choirs and such committed and knowledgeable conductors, the music itself would cease to exist. The Church in England, under the pretext of a drive for "relevance", has done its best over the last few decades to stamp it out; thank God it has somehow survived. Perhaps in another generation, those in a position to influence such things will realise the mistakes of their predecessors and actively work to protect and revitalise this unique tradition. It can only be hoped.
Simon Russell Beale is an excellent narrator, without the self-conscious mannerisms and intellectual vanity of someone like Melvyn Bragg, and charmingly cannot resist allowing his personal love of the music to come through his narration. Close to tears on seeing an autographed manuscript of Palestrina or the signature of Thomas Tallis, which I can well understand. Harry Christophers and The Sixteen are also a splendid choice as performers and musical guides, with Christophers providing some keen insights into more technical aspects of the music. What a fine choir. As to the poor technical quality of the DVDs mentioned by other reviewers, I am fortunate that my copy plays perfectly. For anyone with an existing love of or interst in this extraordinary music, I can only recommend this intelligent and moving production.