John Cale had previously contributed to some wild live albums (Batalan 72, the Nico live album with Kevin Ayers et al) and had begun pushing the idea of performance. One strange performance saw Cale and Brian Eno creating a soundscape in Berlin (which they thought would shatter the glass of the building they were playing in at the time)as Nico performed all the verses to Fascist anthem Deutschland Uber Alles. This was an era when alienating your audience seemed like a good idea- see such records as 23 Minutes Over Brussels (Suicide), Document and Eyewitness (Wire), Metal Machine Music (Lou Reed), Black Flag when they played jazz-instrumentals with long hair, Target (Husker Du), the career of Throbbing Gristle etc.
This issue of Sabotage, originally from 1979 comes replete with the 1977 e.p. Animal Justice- Cale recording these new songs at CBGBs, the then hip domain of such acts as Blondie, Ramones, Talking Heads & Television (& later Mars, Teenage Jesus & the Jerks and Glenn Branca- the latter is not unrelated to this). Cale decided to make a live album of new songs, which has only been done a few times (REM's New Adventures in Hi Fi, that Jackson Browne album, Miles Davis' Live Evil)- Cale demonstrating that forward-thinking notion still present on releases like 5 Tracks and Hobosapiens. Cale at the time was garbed up with an ice-hockey mask (preceding Friday the 13th's Jason), on a diet of brandy, coke & heroin and sometimes chopped chicken's heads off on stage Listening to this, one can only conclude: Marilyn Manson is a pussy!!!!
The ten-tracks of Sabotage are wild, the opening Mercernaries (Ready for War)both capturing the zeitgeist (Afghanistan, Cambodia, El Salvador, Iran, Vietnam: READY FOR WAR?????) and offering a song that sounds sadly apt in these days of conflict. The rest of the tracks are great, a take on Walkin' the Dog that continues what Cale did with Patti Smith (My Generation) & Nico et al (Heartbreak Hotel)- taking a standard rock & roll record and taking it somewhere extreme (see also Suicide's take on 96 Tears). Only Time Will Tell and Sabotage are equally brilliant.
The Animal Justice ep is as great- Memphis & Hedda Gabler and best of all, Rose Garden Funeral of Sores- later massacred by Bauhaus on Press Me the Eject & Give Me the Tape- which is as sinister as records such as Flowers of Romance, Children of God and Spiderland.
Sabotage/Animal Justice is one of the great Cale-offerings in a brilliant career and ought to be considered as classic as Paris 1919, Fear, Music for a New Society, Wrong Way Up and Hobosapiens...