This entry into the Emanuelle series differs from the others (which had their qualities): it's well-edited and with more of an erotic, mostly sapphic, ambience.Emanuelle (Laura Gemser)has now abandoned her wanton ways to take orders in a nunnery that is also a private boarding school for girls. The opportunities for same-sex passion are thus set, and are put in motion by the arrival of the shapely daughter of a wealthy man who had found her on bed with her new step-mother. The daughter promptly entices Emanuelle, seduces her roomate, and dallies with a fugitive (Gabriele Tinti) who has found refuge on the nunnery's grounds. Eventually, Emanuelle succombs to temptation, even violently, before discovering this is all a dream. This type of ending is often a cop-out; here it works. The dream acts as a warning; the film ends with her abandoning orders, walking self-confidently by the assembled nuns and students in fashionable clothes that truly complement her excellent looks and figure. She is heading back where she belongs: to the world of glamour, photography, and exciting sex.