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| 1. Roche |
| 2. Kilometer (A-Trak Remix) |
| 3. Look |
| 4. Divine |
| 5. Pomme |
| 6. Une Heure |
| 7. Sexual Sportswear |
| 8. Elle |
| 9. Fingers Of Steel |
| 10. Manty |
| 11. L'Amour Et La Violence |
Review Tellier's take on the classic French crooner is an update, rather than an echo, though. Sexuality is a prime example of the 21st Century's obsession with the thick vintage synthesisers and clicking drum machines of the '70s and early '80s, an almost fetishistic recreation of the warm, enveloping textures of progressive pop (and Tellier has more claim to it than most, if rumours he is the son of one of classic prog-rock greats Magma is to be believed).
Tellier is the only vocalist here, his earnest croon falling in line with the hissing electronics, French and English language love songs part submerged underneath velvety swathes of keyboard. He's not wholly alone, though: on Manty, female voices trill in a wordless chorus, one which Tellier loops through the entire track; meanwhile, on the slow, squelchy Pomme, a girl's voice pants in ecstasy in a knowing echo of Gainsbourg and Jane Birkin's orgasmic Je T'Aime Moi Non Plus. The sprawling Sexual Sportswear, meanwhile, provides a sort of mid-album interlude, a wholly instrumental synthesiser work-out that suggests a Jean-Michel Jarre style space-pop album is only a decision away. Will Sexuality see Tellier take his place in the mainstream alongside Daft Punk and Air? Probably not - his sound is just a little too languid for the pop marketplace, his songs a little too opaque. No, this is one for the connoisseurs, and one suspects Tellier is more than happy with that. --Louis Pattison
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