When you see a book by a young new author has received acclaim from literary heavyweights like Thom Jones, Chuck Palahniuk, and Bret Easton Ellis (and Clive Barker, and Peter Straub, and…well, you get my point), you may tend, like me, to be initially excited but then approach the work with an air of guarded skepticism. After all, we live in an era of disproportionate hype where talk show hosts sell us fraudulent memoirs and publishers care more about marketing platforms than a book’s content.
But please, drop your guard this time. Forget the hype. Just buy this book and read the whirlwind opener (also titled “Rust and Bone”) and try to tell me this Davidson guy isn’t the real deal. And realize that the “hype” is anything but- people are excited because Craig Davidson has delivered an utter knockout of a first book.
The cover might indicate that this is a collection of hard-edged pugilistic tales, but Davidson’s range goes far beyond the confines of the ring. In fact, only three of the stories deal centrally with organized combat (boxing, dog fighting, kickboxing) and Davidson proves adept at putting you right in the middle of the sweat and fatigue, the blood and the shattered bones. His delivery of the fight material is a wonderful mesh of passion and sharp technical description that had me cringing one moment, thrilled the next. And in each of those stories there are emotional conflicts that make those battles in the ring mean so much more than the pounding of flesh on flesh.
The other stories deal out different shades of conflict- a man’s desire to live vicariously through his son while battling alcoholism, a man coping with losing a limb to a killer whale, magician’s children dealing with an absent father, a sex addict coming to terms with his desires, and a repo man trying to reclaim the wife he’s losing to a degenerative illness. Each deals with its characters in a way that renders them surprisingly sympathetic. Two of the stories, “Rust and Bone” and “On Sleepless Roads,” were so emotionally effective that they lingered in my mind days after reading them.
Davidson’s prose is lean and efficient with the occasional stylistic flourish (in particular when describing settings) and his story setups are intriguing. His characters-the husbands and wives and brawlers and strugglers- have heart. And the sense of hope in defiance of all struggle that Davidson leaves you with make this a Must Read.