Rushmore [DVD] 
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DVD Special Features
Languages in Dolby Digital 5.1: Eglish* in Dolby Surround: Czech
89 Mins approx
Wes Anderson's follow-up to the quirky Bottle Rocket is a wonderfully unorthodox coming-of-age story that ranks with Harold and Maude and The Graduate in the pantheon of timeless cult classics. Jason Schwartzman (son of Talia Shire and nephew of Francis Coppola) stars as Max Fisher, a 15-year-old attending the prestigious Rushmore Academy on scholarship, where he's failing all of his classes but is the superstar of the school's extracurricular activities (head of the drama club, the beekeeper club, the fencing club...). Possessing boundless confidence and chutzpah, as well as an aura of authority he seems to have been born with, Max finds two unlikely soulmates in his permutations at Rushmore: industrial magnate and Rushmore alumnus Herman Blume (Bill Murray) and first-grade teacher Rosemary Cross (Olivia Williams). His alliance with Blume and crush on Miss Cross, however, are thrown out of kilter by his expulsion from Rushmore, and a budding romance between the two adults that threatens Max's own designs on the lovely schoolteacher.
Never stooping to sentimentality or schmaltz, Anderson and cowriter Owen Wilson have fashioned a wickedly intelligent and wildly funny tale of young adulthood that hits all the right notes in its mix of melancholy and optimism. As played by Schwartzman, Max is both immediately endearing and ferociously irritating: smarter than all the adults around him, with little sense of his shortcomings, he's an unstoppable dynamo who commands grudging respect despite his outlandish projects (including a school play about Vietnam). Murray, as the tycoon who determinedly wages war with Max for the affections of Miss Cross, is a revelation of middle-aged resignation. Disgusted with his family, his life, and himself, he's turned around by both Max's antagonism and Miss Cross's love. Williams is equally affecting as the teacher who still carries a torch for her dead husband, and the superb supporting cast also includes Seymour Cassel as Max's barber father, Brian Cox as the frustrated headmaster of Rushmore, and a hilarious Mason Gamble as Max's young charge. Put this one on your shelf of modern masterpieces. --Mark EnglehartSee all Product Description
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Top Customer Reviews
Wes Anderson's off-kilter style, also seen in films such as `The Royal Tenenbaums' and `The Darjeeling Limited', was obviously honed on this movie. Schwartzman excels as the cocky but grating Max, and his friendship with Murray's disillusioned millionaire Blume is both affecting and slyly humourous. The film is at heart a darkly skewed comedy, but sometimes appears somewhat uncomfortable in its own skin, and occasionally tries to be too clever for its own good.
Ultimately Rushmore mostly succeeds as a quirky comedy-drama, and with appearances by the likes of Luke Wilson and Brian Cox in supporting roles, it is packed with contemporary and old-school talent, resulting in a mature yet fresh cinematic experience.
As soon as 'Making Time' by Creation came on during the opening montage i knew i was going to love this film. The characters and interplay between them is superb (my particular favourite is the awkwardness between Ms.Cross and Max Fischer) and in my opinion, this is Bill Murray at his best (even better than lost in translation which I thought was brilliant).
The soundtrack is great, even the smallest cameos are well performed, and the director's idiosyncratic style shines through; if anything with more swagger and fun than any of his other films I've seen.
Bill Murray plays Herman Blume, Max's only friend turned nemesis when he proves to be competition to gain the affection of Miss Cross.
The story is continuously over the top and at times somewhat unrealistic (aquarium in the sports field?), but at every point Max remains a character that everyone can relate to, either as a past version of themselves or maybe even what you are now. Again, as with Wes and Owen's previous and first script Bottle Rocket, the dialogue is hilarious and there are many a quotable moment. The performances are heartfelt and a character and location development change is clearly seen between Rushmore and Bottle Rocket with the setting being Wes' old school and each character having a history to explain why they are as dysfunctional as they are.
If you are a fan of Jason Schwartzman you should see this but be warned, Max is almost like the prelude to Gideon Graves of Scott Pilgrim vs The World - arrogant, eerie and selfish; so don't be let down by the realistic performance given by Schwartzman of a typical brat.
For those of you who are not fans of Schwartzman, unless you've saved Latin or written a hit play, I suggest you get onto watching this now.
Rushmore is without doubt a great film - but after having seen the other 2 they just all seem a little 'samey'.
His characters are unique, quirky and full of idiosynchracies, but before I even saw this film I was ready for that - so when the joyous character of max fischer was put upon me i felt like i was already prepared for his keen attitude and eager intelligence - which is a shame coz he is a great and probably the best one out of the 3 movies.
(max must be autobiographical for wes anderson- for such an 'nerd' at school to be portrayed soooooo confidently it had to be a case of the 'nerd at school comes good for anderson' personally. -i know exactly what he feels and would be something i would do too should i be writing a screen play.)
I just cant help but feel that from here on - (life aquatic onwards) he must need to diversify a little (which he did do to an extent with L Aquatic with some animation and a little more action gun fights to iggy pop in the background is always a good thing!) as the whole scenario of children and adults with very unusual behaviours and personalities from very well to do backgrounds - who are all gifted and successful - but never actually seem to do anything exciting in the film - is getting a little tired.
There is a lot of father-son relationships in his films, and always a love interest that is shared between 2 people. The central figure is always a male. And the lady in question is always a mild mannered, soft featured, waif like but strangely attractive woman.Read more ›
Most Recent Customer Reviews
Despite its slow start which leaves you wondering what you've let yourself in for, this turns into a wonderfully funny, and endearingly silly delight. Read morePublished 18 days ago by Ektor
The best film by Wes Anderson along with Royal Tenenbaum. Rushmore already presents most of his recurring features: a suspended intention between irony and absurdity, a series of... Read morePublished 5 months ago by Elleppi
Not worth the time looking at the DVD - lot of old rubbish.Published 7 months ago by Ronald SAUNDERS
Glad I did not pay much for this. It's just a fairly boring US indie film.Published 7 months ago by It's me here!