Some films have the ability to wrap simple designs around complex subjects, whilst others may do the reverse. And then their is Blade Runner - a film that is complex both in presentation and ideology. Its intellectual strength is loosely based on the original Philip. K. Dick novel "Do Androids Dream of Sheep" - the story of a Police cop called Deckard (Harrison Ford) whose job it is to hunt down and assassinate illegal androids; a force known as the 'Blade Runners'. It is a small group of the new Nexsus-6 androids who have entered Earth illegally, making no stops to discover how long they will live, and how they can avoid their own death's. Self awareness, it would seem, pays a penalty...
As such, the film is rooted somewhat as a typical 'cop film', driven by Deckard's own disfunction with the grim world around him. It is the future, but not the future we would dream of. This is integral to the success of the film - Ridley Scott is avant garde in his depiction of mass commercialism and social breakdown, not the bright, happy, efficient future that is often portrayed.
The film's complexity centre's around the viewers take on pretty much everything, and asks an abundance of questions that cover all manner of philosophies. Are androids jealous of human integrity? Conversely, are humans jealous of the androids lack of emotional ballast? These are just two questions that the audience are encouraged to think about, but their is no denying that the films visual wizardry only adds clues to such queries and aids the atmosphere. Ridley Scott is, by all accounts, one of the best visionary directors we have seen in modern times, yet I can't but wonder whether the sophistication of his photography has inevitably filtered audiences worldwide.
If you are already a fan of Blade Runner, then you may be visiting this product page after discovering that the U.K has, once again, been duped by a product that is down right pathetic in comparison to the U.S counterparts. Whereas we have been offered a 2-Disc Blu-Ray set with one version of the film and a smattering of extras, the U.S gets a chunky 5-Disc set with five versions of the film, and more extras than you could watch in a week.
This product page is for the latter, and oh, thank goodness it will play on U.K machines.
It is undoubtedly a product oozing with love; the kind of care and attention that Ridley Scott has so often paid to his films, and yet for what is still largely a 'cult film', other Producers/Directors such as George Lucas fail to give fans even two versions of their films without their being some kind of catch. Rather, Lucas would erase the history of Star Wars with newer edits...
Not such the case here. Five of the Seven versions of Blade Runner are present on disc, and Scott is even modest enough to say on disc that they're in a terrible state. It is nonsense; the oldest surviving version of the film known as the "Workprint", which was shown to audiences before the film was released commercially, looks so engaging for a film with minimal restoration. As you trawl through the versions of Blade Runner chronologically, more care and attention is paid to the quality of restoration until you hit the 2009 "Final Cut" - a presentation so stunning that it could easily match or, exceed, films of today. But then you would expect nothing less from a combination of 4K and 8K scans, combined with the original film grain left in tact and a colour timing of its day. Kudos to Scott though for documenting the changes he made from a technical standpoint - just some of these, he suggested, include the removal of ugly matte lines (always a relief), the removal of a few 'obvious' cables used for props, and some slight enhancements during the opening sequence.
What is all the more obvious when comparing the films are how the changes in editing dramatically affect the film as a whole. Narrations left in and out, violence spontaneously changed, and even the soundtrack having subtle changes. Want the original 'Hollywood' ending? Its on here too.
The extra features don't let you down either, and it doesn't stop after the whopping 3 and a half hour documentary. Smaller docs, galleries, commentaries and more are present - all of which will transform you into a complete geek if you weren't already. Well, I was half way there anyway...
I advise any Blade Runner fan to seriously consider this product ahead of its poor U.K counterpart, for it contains a wealth of extra content that is not to be missed. Either way, it is one of the best High Def films i've seen to date and should be recalled for its significance in movie history. Visual effects way ahead of anything else for 1982, a screenplay that is worth studying alone, and some finely acted performances.