We're in the middle of the Second World War, the Allies have decided on the location where they'll launch their massive invasion of Europe, and spies are battling spies to hide and discover the facts. Thank goodness we have Jimmy Cagney on our side.
Cagney plays the rough-and-tumble spy Bob Sharkey in Henry Hathaway's 13 RUE MADELEINE (1947), one of a number of motion pictures released shortly after the war that celebrated the exploits of America's nascent espionage organization, the OSS (Office of Strategic Services.) Although the movie ends in an exciting, if somewhat abrupt, scene behind enemy lines, a great deal of this movie takes place in what can probably best be described as a spy school. The movie begins with a rather extended montage of stock documentary film of London during wartime before gradually, and neatly, folding it into the movie proper. The first half of the movie concerns itself with the acceptance of a number of highly qualified candidates (including Annabella, Richard Conte and Frank Latimore), the rigorous training they undergo (Is that the brake of a train or a steam kettle you hear on the phonograph record?) and the discovery of a mole. A mole whom, of course, they leave in place so that the enemy can be fed disinformation and, hopefully, lead the good guys to the bad guys and their cache of rocket bombs in the Low Countries. Ah, spy movies! Especially spy movies where our spies are better than their spies.
As usual Cagney is convincing as the spy trainer who eventually is forced to take the field, and 13 RUE MADELEINE'S semi-documentary treatment works well. Hathaway takes enough of a gritty realist approach to make this one believable, even if his presentation of the infallibility of Cagney the Spy stretches credibility. The film is in good condition, and old film fans should look quick for Karl Malden and E.G. Marshall in bit roles.