I agree completely with the two reviews I read, by Philip Kemp and John Webber. I think the greatest achievement of the directors, Jean-Pierre Dardenne and Luc Dardene, is to estblish a subjective point of view, of Rosetta's, and never let go of it from beginning to end. The hand-held camera adds to the frenzied pace of this movie, which works despite the monotony. Part of the reason is Emilie Dequenne's amazing performance. She lives not in quiet, but in furious desperation. The idea is to subject this character to every kind of indignity and setback--to lead her to temptation, but to have her resist and remain steadfast. The movie takes no shortcuts; no sex, no rapes, no violence (expected and received in American movies like Boys Don't Cry). All these perils (easy to put in a contemporary movie) are avoided, and yet the sense of Rosetta's desperation and determination hit the viewer smack in the face. An amazing feat of control by the directors and actors. No sentimental tricks here, but a very real emotion--exilaration at Rosetta's only smile at the end.