The Tin Roof Blowdown (Dave Robicheaux Mysteries) [Kindle Edition]

'The Tin Roof Blowdown is more than a crime novel; more than a literary novel even. It is a work of profound historical value and importance ... To say I enjoyed this book is an understatement ... there were moments when I wanted to put the book down, it was so painful to continue. But I couldn't. Now, I dare say, will anyone else.' (Mark Timlin INDEPENDENT ON SUNDAY )

'The Tin Roof Blowdown is the novel James Lee Burke was born to write. His imagination has always tended to the apocalyptical - but Hurricane Katrina outdid his worst inventions ... The passages describing the actual flooding are tremendously powerful but Burke also weaves a fully satisfying story into this extreme event.' (David Sexton EVENING STANDARD )

'This New Orleans looks like Bosch and reads like Ballard ... it's worth emphasising that no 'literary' novelist has performed this task of imaginative witness to disaster yet. And none will do it half so well as Burke. ... he proves more forcefully than ever that he can dive down these mean - or drowned - streets and strike both a tragic, and epic, note.' (Boyd Tonkin THE INDEPENDENT )

'In the US, he's often regarded as the crimewriter's crimewriter. But that was before Hurricane Katrina ripped the soul out of Burke's beloved New Orleans and inspired him to write what has to be his most gripping thriller to date ... Burke's descriptions, especially of the aftermath of the hurricane, are more vivid and powerful than any piece of reportage I've yet to come across.' (Henry Sutton THE MIRROR )

'probably his finest novel ... it's quite an achievement to make the 16th novel in a series a personal best, but its more than that - it stands comparison with the best of Southern fiction.' (Peter Guttridge THE OBSERVER )

'occasionally something comes along which transcends the narrow confines of the genre: a book which, by any measure, is a truly wonderful piece of writing. Burke's latest work is a case in point. It confirms, if confirmation were needed, that he is one of America's greatest living novelists.' (THE HERALD )

'The story, about greed and murder and redemption, contains some of Burke's most brilliantly realised characters ... a compelling and moving narrative, punctuated by his devastating descriptions of the ravaged city.' (Susanna Yager SUNDAY TELEGRAPH )

'You feel guilty for enjoying it so much ... a great piece of art has come out of human trouble ... it is his greatest novel' (Boyd Hilton RADIO R LIVE SIMON MAYO BOOKCLUB )

'Burke's prose, jagged and discordant ... has always had a hallucinatory quality, but here his descriptions of drowning, floating corpses and devastated buildings provide a background tableaux of madness and terror that knowingly invokes Bosch's visions of hell.' (METRO )

'Burke mixes street slang and exquisite, but always precise, descriptive writing ... Robicheaux is the perfect vehicle for expressing the brooding and righteous anger which is the only possible response to the failure of the United States Government to organise relief when the levees broke. The Tin Roof Blowdown is proof that current affairs can be worked into fiction. It's account of the destruction wreaked by the floods has an enduring power.' (TIMES LITERARY SUPPLEMENT )

'a beautifully written howl of rage and pain over the disaster - social, political, human - that was Hurricane Katrina ... Burke has crafted a killer mystery and a passionate tribute to to his beloved New Orleans.' (TIME OUT )

'The Tin Roof Blowdown is, inevitably, sadder and angrier than previous Robicheaux novels. We always knew James Lee Burke was a master craftsman of the crime genre. This proves him to be more than that.' (Marcel Berlins THE TIMES )

'there is no doubting the power of the passages devoted to the hurricane's impact, where the author's twin gifts for physical description and biblical rhetoric fuse stunningly to give the novel an apocalyptic backdrop.' (John Dugdale SUNDAY TIMES )

'Burke's novel is a powerful mix of near-journalism reportage ... undercut with a simmering rage at the corporate theft and government incompetence that made the clear-up such a difficult and devisive task.' (IRISH TIMES )

'the characters are beautifully realised and their motivation strong. But it is the fury at the authorities response to the crisis that gives this its added dimension.' (Toby Clements DAILY TELEGRAPH )

'The Tin Roof Blowdown is more than a crime novel; more than a literary novel even. It is a work of profound historical value and importance ... To say I enjoyed this book is an understatement ... there were moments when I wanted to put the book down, it was so painful to continue. But I couldn't. Now, I dare say, will anyone else.' -- Mark Timlin INDEPENDENT ON SUNDAY 'The Tin Roof Blowdown is the novel James Lee Burke was born to write. His imagination has always tended to the apocalyptical - but Hurricane Katrina outdid his worst inventions ... The passages describing the actual flooding are tremendously powerful but Burke also weaves a fully satisfying story into this extreme event.' -- David Sexton EVENING STANDARD 'This New Orleans looks like Bosch and reads like Ballard ... it's worth emphasising that no 'literary' novelist has performed this task of imaginative witness to disaster yet. And none will do it half so well as Burke. ... he proves more forcefully than ever that he can dive down these mean - or drowned - streets and strike both a tragic, and epic, note.' -- Boyd Tonkin THE INDEPENDENT 'In the US, he's often regarded as the crimewriter's crimewriter. But that was before Hurricane Katrina ripped the soul out of Burke's beloved New Orleans and inspired him to write what has to be his most gripping thriller to date ... Burke's descriptions, especially of the aftermath of the hurricane, are more vivid and powerful than any piece of reportage I've yet to come across.' -- Henry Sutton THE MIRROR 'probably his finest novel ... it's quite an achievement to make the 16th novel in a series a personal best, but its more than that - it stands comparison with the best of Southern fiction.' -- Peter Guttridge THE OBSERVER 'occasionally something comes along which transcends the narrow confines of the genre: a book which, by any measure, is a truly wonderful piece of writing. Burke's latest work is a case in point. It confirms, if confirmation were needed, that he is one of America's greatest living novelists.' THE HERALD 'The story, about greed and murder and redemption, contains some of Burke's most brilliantly realised characters ... a compelling and moving narrative, punctuated by his devastating descriptions of the ravaged city.' -- Susanna Yager SUNDAY TELEGRAPH 'You feel guilty for enjoying it so much ... a great piece of art has come out of human trouble ... it is his greatest novel' -- Boyd Hilton RADIO R LIVE SIMON MAYO BOOKCLUB 'Burke's prose, jagged and discordant ... has always had a hallucinatory quality, but here his descriptions of drowning, floating corpses and devastated buildings provide a background tableaux of madness and terror that knowingly invokes Bosch's visions of hell.' METRO 'Burke mixes street slang and exquisite, but always precise, descriptive writing ... Robicheaux is the perfect vehicle for expressing the brooding and righteous anger which is the only possible response to the failure of the United States Government to organise relief when the levees broke. The Tin Roof Blowdown is proof that current affairs can be worked into fiction. It's account of the destruction wreaked by the floods has an enduring power.' TIMES LITERARY SUPPLEMENT 'a beautifully written howl of rage and pain over the disaster - social, political, human - that was Hurricane Katrina ... Burke has crafted a killer mystery and a passionate tribute to to his beloved New Orleans.' TIME OUT 'The Tin Roof Blowdown is, inevitably, sadder and angrier than previous Robicheaux novels. We always knew James Lee Burke was a master craftsman of the crime genre. This proves him to be more than that.' -- Marcel Berlins THE TIMES 'there is no doubting the power of the passages devoted to the hurricane's impact, where the author's twin gifts for physical description and biblical rhetoric fuse stunningly to give the novel an apocalyptic backdrop.' -- John Dugdale SUNDAY TIMES 'Burke's novel is a powerful mix of near-journalism reportage ... undercut with a simmering rage at the corporate theft and government incompetence that made the clear-up such a difficult and devisive task.' IRISH TIMES 'the characters are beautifully realised and their motivation strong. But it is the fury at the authorities response to the crisis that gives this its added dimension.' -- Toby Clements DAILY TELEGRAPH

'This New Orleans looks like Bosch and reads like Ballard ... it's worth emphasising that no 'literary' novelist has performed this task of imaginative witness to disaster yet. And none will do it half so well as Burke. ... he proves more forcefully than ever that he can dive down these mean - or drowned - streets and strike both a tragic, and epic, note.'

'In the US, he's often regarded as the crimewriter's crimewriter. But that was before Hurricane Katrina ripped the soul out of Burke's beloved New Orleans and inspired him to write what has to be his most gripping thriller to date ... Burke's descriptions, especially of the aftermath of the hurricane, are more vivid and powerful than any piece of reportage I've yet to come across.'

'probably his finest novel ... it's quite an achievement to make the 16th novel in a series a personal best, but its more than that - it stands comparison with the best of Southern fiction.'

'occasionally something comes along which transcends the narrow confines of the genre: a book which, by any measure, is a truly wonderful piece of writing. Burke's latest work is a case in point. It confirms, if confirmation were needed, that he is one of America's greatest living novelists.'

'The story, about greed and murder and redemption, contains some of Burke's most brilliantly realised characters ... a compelling and moving narrative, punctuated by his devastating descriptions of the ravaged city.'

'You feel guilty for enjoying it so much ... a great piece of art has come out of human trouble ... it is his greatest novel'

'Burke's prose, jagged and discordant ... has always had a hallucinatory quality, but here his descriptions of drowning, floating corpses and devastated buildings provide a background tableaux of madness and terror that knowingly invokes Bosch's visions of hell.'

'Burke mixes street slang and exquisite, but always precise, descriptive writing ... Robicheaux is the perfect vehicle for expressing the brooding and righteous anger which is the only possible response to the failure of the United States Government to organise relief when the levees broke. The Tin Roof Blowdown is proof that current affairs can be worked into fiction. It's account of the destruction wreaked by the floods has an enduring power.'

HURRICANE KATRINA HAS REDUCED the Big Easy to the level of a medieval society. Now, with looters descending and violence erupting in the streets, Iberia Parish Sheriff’s Detective Dave Robicheaux combs the apocalyptic landscape for a quartet of criminals who hijacked a rescue boat from a drug-addicted ex-priest at the height of the storm, and then scooped up a gangster’s hidden fortune. In a world without order or sanctuary, revenge will come swift and easy . . . but only Robicheaux can infiltrate the shattered heart of the city he loves to forge his own kind of justice.

New Orleans is awash with corpses after Hurricane Katrina unleashes its awesome power. In a city patrolled only by looters, all law and order gone, the survivors wait in trees or on rooftops for help that never comes. In a landscape transformed into a violent wasteland, Dave Robicheaux must investigate the shooting of two looters and find out why some very dangerous people are hunting a third. Is it because they unwittingly ransacked the house of a notorious mob boss? Or did a chance encounter with the father of a raped girl seal their fate? As Robicheaux starts to uncover a ruthless tale of greed, torture and murder, his own family comes under threat from a sinister psychopath, and the devastated city provides the perfect stage for a final confrontation between good and evil.

James Lee Burke is the author of many previous novels, many featuring Detective Dave Robicheaux. He won the Edgar Award in 1997 for 'Cimarron Rose', while 'Black Cherry Blues' won the Edgar in 1989 and 'Sunset Limited' was awarded the CWA Gold Dagger in 1998. He lives with his wife, Pearl, in Missoula, Montana and New Iberia, Louisiana.