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Romantische Arien
 
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Romantische Arien

3 Dec. 2012 | Format: MP3

£6.99 (VAT included if applicable)
Buy the CD album for £5.72 and get the MP3 version for FREE. Does not apply to gift orders.
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Song Title
Time
Popularity  
30
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6:09
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2
6:37
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3
10:52
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7:04
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8:42
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7:06
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6:21
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8:39
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Product details

  • Original Release Date: 16 Nov. 2012
  • Release Date: 3 Dec. 2012
  • Label: Sony Classical
  • Record Company Required Metadata: Music file metadata contains unique purchase identifier. Learn more.
  • Total Length: 1:01:30
  • Genres:
  • ASIN: B00A6OBVJY
  • Average Customer Review: 4.3 out of 5 stars 6 customer reviews
  • Amazon Bestsellers Rank: 129,535 in Albums (See Top 100 in Albums)

Customer Reviews

4.3 out of 5 stars
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Top Customer Reviews

Format: Audio CD
Christian Gerhaher is a real superstar. Not the luxury-endorsed, coiffured PR-hungry lemming of awards ceremonies and enhanced photos, but a truly unique singing talent, bringing fresh interpretations to familiar repertoire as well as enlivening less celebrated works. Romantische Arien, his latest disc for Sony, features party pieces from Tannhäuser alongside operatic rarities by Schubert, Schumann, Nicolai and Weber. Tender, thoughtful and occasionally tempestuous, this is singing of the very highest calibre.

When Gerhaher made his Royal Opera House debut as Wolfram in Tannhäuser in late 2010, critics tripped over themselves to praise his performance. The Arts Desk described the 'gauzy, flickering, Lieder-like [...] sensitivity' of his voice, while the Telegraph relished Gerhaher's 'quiet poise, gentle warmth and sincere musicianship.' Boulezian's Mark Berry said that 'the sheer beauty of his tone was breathtaking, but even more so were his vocal shading and verbal acuity.' This latest recording proves that these are the hallmarks of Gerhaher's career.

The two passages from Tannhäuser on this new disc - 'Blick' ich umher in diesem edlen Kreise' and 'O du, mein holder Abendstern' - are definite highlights, but by no means isolated glories. Accompanied throughout by the superb Symphonieorchester des Bayerischen Rundfunks - sonorously and sympathetically directed by Daniel Harding - Gerhaher brings winning candour to all of these operatic scenes. So direct are his performances that he breaks through formulaic barriers such as recitative and aria, making these works sound almost late Romantic in their fluency.

But there's steel here too.
Read more ›
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Format: Audio CD
It is by now trite that Gerhaher is among the best current German male singer (not limited to any particular fach). His articulation is immaculate, and he has a tremendous musical sense. The tone is light but can become powerful if required. The dynamic range is good, and listening to this album, one can appreciate why he, in 2010, was chosen the best operatic performer in his country in the place of the likes of Jonas Kaufmann.
Having said that, I do not consider this operatic debut album by Gerhaher a complete success.
The excerpts from some much lessor known arias from late 18th to early 19th century German operas are not just arias, but operatic scenes. While CG has done a very fine job in his vocal depictions, the orchestra is hardly in sync dramatically most, if not all, the time. It is better in the Schumann opera excerpt, but in the Schubert excerpts as well as the Nicolai excerpts, the orchestra sounds totally clueless. The reason of course is that of the conductor's.
Harding is unable to grasp the dramatic elements involved in those scenes. Such sort of orchestral 'accompaniment' hardly served the sung texts, and the singer is all too often left to a solo stand.
This happening in most of the tracks leave the listeners to dramatic and eventually musical frustration, for nor is the conductor able to discern the musical 'styles' in the various composers' works!The various pieces from different operas sound as though they are Daniel Hardings own 'arranged' versions, not the composers': Nicolai, Schubert, Weber ...they all sound alike in style without any sense of individual musical nuances or inflections.
Nor was the orchestra under Harding capable of depicting the different dramatic moments called for all too urgently in the texts themselves.
The major distinction between opera and lieder, alas has not been fully realised by the entire ensemble, despite highly polished singing by CG.
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Format: Audio CD Verified Purchase
On this magnificent CD Christian Gerhaher sings opera arias with Bayern Radio Symphony Orchestra conducted by Daniel Harding.
Only one was familiar, O du, mein holder Abendstern from Richard Wagner`s Tannhäuser. This aria is absolutely enchanting, I`ve always loved it, and Christian Gerhaher`s interpretation of it is overwhelmingly breathtaking as well as of the other aria from the same opera.
Franz Schubert and Robert Schumann also wrote operas, which was new to me, and some very impressive arias are included here. Those and the one by Otto Nicolai allow the fine tenor Maximilian Schmitt his short appearances.
In spite of the name, which comes from the Romantic era of music, these arias aren`t romantic but highly dramatic inspiring deep and intensive feelings. Especially the third, from Schumann`s Genoveva, the fifth, from Schubert`s Alfonso und Estrella, and the last, from Carl Maria von Weber`s Euryanthe, are most thrilling.
This CD is the first where I hear Christian Gerhaher without his outstanding pianopartner. The musical pleasure, of course, is no smaller but different, increasing desire for hearing more.
German lyrics and English translations are included making it easy to follow the contents. Usually the plot of any opera is a bit queer, so I`ve learned not to focus on that. Here I allow me to forget all earthly and let these tunes take over and lead me to enjoy only the music and the heavenly beauty of the singer`s voice.
Edited 3.3.2015
There`s one thing I wasn`t aware of when writing my review still worth of mentioning. The role of Wolfram von Eschenbach in Tannhäuser in Royal Opera House London 2010 brought Christian Gerhaher next year the Lawrence Olivier Award for Outstanding Achievement in Opera.
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