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- Original Release Date: 30 Nov 2004
- Format - Music: MP3
- Compatible with MP3 Players (including with iPod®), iTunes, Windows Media Player
- Also available in CD Format
Buy this MP3 album with any other MP3 album under £8 and pay no more than £10 for both (terms and conditions apply). Just look for any album with this message, put it in your basket with another eligible title and the discount will be applied at checkout. |
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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| Play | 1. Invocations | 2:52 | £0.69 | ||
| Play | 2. Pitie Pour Mes Larmes | 5:30 | £0.69 | ||
| Play | 3. Aubade | 11:16 | Album Only | ||
| Play | 4. L'absent | 3:02 | £0.69 | ||
| Play | 5. Crepuscule | 4:08 | £0.69 | ||
| Play | 6. Viens, Les Gazons Sont Verts | 6:58 | £0.69 | ||
| Play | 7. Seule | 2:57 | £0.69 | ||
| Play | 8. Pensee Des Morts | 4:35 | £0.69 | ||
| Play | 9. Nuit Silencieuse | 3:18 | £0.69 |
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Customer Reviews
Most Helpful Customer Reviews
6 of 10 people found the following review helpful
Format:Audio CD
This is ablum does exactly what it says on the tin, it is a romantic avant garde album from the master of the genre. Mike Patton is truely a work of art, his ideas in music have changed the way a lot of people think and he is forever pushing the boundaries. This album is no exception.
Initally this album doesn't feel like much, but on repeated listens (and I really mean repeated) you get so absorbed by the stuff on here. I bought this CD when it first came out that was over 6 months ago and I am still finding elements to this CD that I just didn't see or get before.
If you like a challenge and enjoy avant garde this one I recommend. For fans of Icelandic indie music as well, the same kind of washing feeling is all over this album. Plus kaada is bloody good, I love his strange popness. This one won't change your life but you have some good fun with it!
one word: Genius
5 of 14 people found the following review helpful
Format:Audio CD
A few tracks into "Romances," you'll probably find yourself asking the question: What movie is this from? With all that gothic ambience and sudden ups-and-downs, it sounds like the soundtrack from a surrealist vampire flick. As a result, it's a pleasant if unexceptional listen.
To some degree, it's what you'd expect of Fantomas frontman Mike Patton, when he collaborates with Norwegian melting-pot master Kaada. The opening song is a dense, built-up colossus of ghostly vocals (either high and creepy or deep and foreboding), weird synth and over-the-top organ. It sounds like Patton and Kaada are trying to scare you with the woo-woo effects.
That flavour sticks around in lesser forms in the songs that follow, which generally pair ambient effects, bells, steel guitar, electronic wibbling and some seriously sad songwriting. Patton is more restrained here than in his main band, and he is able to croon in a suitably mournful manner.
Despite the dark tone, there is some unexpected hilarity in "L'absent," which sounds like the Polyphonic Spree misplaced their meds. I've never heard "la la la" sung with such gloom. And "Pitie Pour Mes Larmes" mixes in hymns, uplifting pop with that ambient sound and some heavy crashing drums. Just try to classify that!
"Romances" is an interesting listen while it's actually on, but with at least half of each song made of gothic ambience, it feels somehow incomplete and insubstantial. A few songs have a solid sound to tap into -- such as the opening song "Invocations" -- but most of them meander with lots of creepy sound effects.
It is a pretty listen, though, with some solid instrumentation in the form of bass, steel guitar, drums, and clarinet, with multilayered washes of sound sweeping over it all. And Patton's mournful wails are suitably creepy, just the sort of thing you'd expect in a haunted castle, abandoned palace, decrepit opera house, or something of the sort.
"Romances" is not exactly a revelation, but it is a moderately entertaining piece of gothic ambient music. Patton and Kaada could have done better, but at least they did well enough.
To some degree, it's what you'd expect of Fantomas frontman Mike Patton, when he collaborates with Norwegian melting-pot master Kaada. The opening song is a dense, built-up colossus of ghostly vocals (either high and creepy or deep and foreboding), weird synth and over-the-top organ. It sounds like Patton and Kaada are trying to scare you with the woo-woo effects.
That flavour sticks around in lesser forms in the songs that follow, which generally pair ambient effects, bells, steel guitar, electronic wibbling and some seriously sad songwriting. Patton is more restrained here than in his main band, and he is able to croon in a suitably mournful manner.
Despite the dark tone, there is some unexpected hilarity in "L'absent," which sounds like the Polyphonic Spree misplaced their meds. I've never heard "la la la" sung with such gloom. And "Pitie Pour Mes Larmes" mixes in hymns, uplifting pop with that ambient sound and some heavy crashing drums. Just try to classify that!
"Romances" is an interesting listen while it's actually on, but with at least half of each song made of gothic ambience, it feels somehow incomplete and insubstantial. A few songs have a solid sound to tap into -- such as the opening song "Invocations" -- but most of them meander with lots of creepy sound effects.
It is a pretty listen, though, with some solid instrumentation in the form of bass, steel guitar, drums, and clarinet, with multilayered washes of sound sweeping over it all. And Patton's mournful wails are suitably creepy, just the sort of thing you'd expect in a haunted castle, abandoned palace, decrepit opera house, or something of the sort.
"Romances" is not exactly a revelation, but it is a moderately entertaining piece of gothic ambient music. Patton and Kaada could have done better, but at least they did well enough.
Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com:
20 reviews
11 of 11 people found the following review helpful
Simple, Fasctinating, and Weirdly Romantic
11 May 2005
Format:Audio CD
I would consider myself a semi-fan of Mike Patton's past work. I've loved albums such as Mister Bungle's California, but found much of his music to be self indulgent and clever, rather than inspired. Romances blows my mind, however. Overall, this work would probably best be described as a collection of soundscapes rather than songs; and within this context it suceeds brilliantly. Throughout this album layer after layer of shimmering instrumental and evocative vocal tracks create of mood that can only be described as dreamy, sensual and yes -- romantic! In fact, what Patton & Kaada may have produced here is the most bizzare makout album of all time! If you're looking to rock out stay away from Romances. But if you're in search of something different and could use a soundtrack for getting hot and bothered with the coolest and weirdest significant other possible, I highly recommend this album.
8 of 9 people found the following review helpful
boardering hallucination
15 Mar 2006
Format:Audio CD
I bought this album, because I'm a big fan of Mike Patton's work with Faith No More, Bungle, Fantomas, and Tomahawk. I know Patton is a complete nut. However, I was not familiar with John Kaada at the time of my purchase. Even though, I'm very familiar with Patton's other work, what this album had in store was very unexpected. It is possibly the creepiest, trippiest, most intriguing album I've ever heard. It is not for your average listener, by any means. This is the type of music that will take hold of one's mind, give extremely vivid hallucinations of what is going on, and wrap around the brain, squeezing it into insanity. There are abrupt dynamic and instrumentation chnages that will either confuse the hell out of you, or make you more and more curious as to what will happen next. Buy this album if you are looking for an emotional rollercoaster. It is one of the most interesting soundscapes in my collection. I personally love it. Most probably wouldn't know what to think of it.
15 of 19 people found the following review helpful
Mildly romantic
10 May 2005
Format:Audio CD
A few tracks into "Romances," you'll probably find yourself asking the question: What movie is this from? With all that gothic ambience and sudden ups-and-downs, it sounds like the soundtrack from a surrealist vampire flick. As a result, it's a pleasant if unexceptional listen.
To some degree, it's what you'd expect of Fantomas frontman Mike Patton, when he collaborates with Norwegian melting-pot master Kaada. The opening song is a dense, built-up colossus of ghostly vocals (either high and creepy or deep and foreboding), weird synth and over-the-top organ. It sounds like Patton and Kaada are trying to scare you with the woo-woo effects.
That flavour sticks around in lesser forms in the songs that follow, which generally pair ambient effects, bells, steel guitar, electronic wibbling and some seriously sad songwriting. Patton is more restrained here than in his main band, and he is able to croon in a suitably mournful manner.
Despite the dark tone, there is some unexpected hilarity in "L'absent," which sounds like the Polyphonic Spree misplaced their meds. I've never heard "la la la" sung with such gloom. And "Pitie Pour Mes Larmes" mixes in hymns, uplifting pop with that ambient sound and some heavy crashing drums. Just try to classify that!
"Romances" is an interesting listen while it's actually on, but with at least half of each song made of gothic ambience, it feels somehow incomplete and insubstantial. A few songs have a solid sound to tap into -- such as the opening song "Invocations" -- but most of them meander with lots of creepy sound effects.
It is a pretty listen, though, with some solid instrumentation in the form of bass, steel guitar, drums, and clarinet, with multilayered washes of sound sweeping over it all. And Patton's mournful wails are suitably creepy, just the sort of thing you'd expect in a haunted castle, abandoned palace, decrepit opera house, or something of the sort.
"Romances" is not exactly a revelation, but it is a moderately entertaining piece of gothic ambient music. Patton and Kaada could have done better, but at least they did well enough.
To some degree, it's what you'd expect of Fantomas frontman Mike Patton, when he collaborates with Norwegian melting-pot master Kaada. The opening song is a dense, built-up colossus of ghostly vocals (either high and creepy or deep and foreboding), weird synth and over-the-top organ. It sounds like Patton and Kaada are trying to scare you with the woo-woo effects.
That flavour sticks around in lesser forms in the songs that follow, which generally pair ambient effects, bells, steel guitar, electronic wibbling and some seriously sad songwriting. Patton is more restrained here than in his main band, and he is able to croon in a suitably mournful manner.
Despite the dark tone, there is some unexpected hilarity in "L'absent," which sounds like the Polyphonic Spree misplaced their meds. I've never heard "la la la" sung with such gloom. And "Pitie Pour Mes Larmes" mixes in hymns, uplifting pop with that ambient sound and some heavy crashing drums. Just try to classify that!
"Romances" is an interesting listen while it's actually on, but with at least half of each song made of gothic ambience, it feels somehow incomplete and insubstantial. A few songs have a solid sound to tap into -- such as the opening song "Invocations" -- but most of them meander with lots of creepy sound effects.
It is a pretty listen, though, with some solid instrumentation in the form of bass, steel guitar, drums, and clarinet, with multilayered washes of sound sweeping over it all. And Patton's mournful wails are suitably creepy, just the sort of thing you'd expect in a haunted castle, abandoned palace, decrepit opera house, or something of the sort.
"Romances" is not exactly a revelation, but it is a moderately entertaining piece of gothic ambient music. Patton and Kaada could have done better, but at least they did well enough.
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