Road to Omaha, The [Mass Market Paperback]

It is almost an axiom in both literature and film that sequels rarely live up to their predecessors, and this book is no exception. Where the concept of a funny espionage/intrigue novel was fresh and inspired in "Gandolfo", in "Omaha" it appears a trifle forced. The satire is less biting, and the humor devolves at times into a madcap, slapstick silliness reminiscent of the Keystone Cops. Reading the sequel, the reader too often gets an impression of the author struggling mightily to outdo the previous work in sheer hilarity, and in the process trampling subtlety and suspense completely out of some of the scenes.

That said, however, this is still a good book, and anyone who enjoyed "Gandolfo" will almost certainly get some fun out of "Omaha" as well. There is still plenty of wit and humor here, and Ludlum is a master at keeping the reader hooked into the story, turning the pages in anticipation and trying to get in just one more chapter before bedtime. The main characters grab you, and if some of the peripheral roles are mere cardboard cutouts, it's a flaw that's easy to forgive in the blazing pace of the story. The political satire may lack finesse at times, but it has teeth, and the casting of mob boss Vincent "Vinnie the Bam Bam" Mongecavalo as head of the CIA is a splendidly snide volley from an espionage writer.

This book does not really have the strength to stand on its own: if you didn't read, or didn't like, "The Road To Gandolfo", you'll most likely be disappointed. But if you liked "Gandolfo" and would like to revisit Hawkins, Devereaux and the oddly gripping world of humorous intrigue they pioneered, "The Road To Omaha" is good enough to make you overlook or forgive its flaws.

The Road to Omaha is a scathing satire about the American government. Ludlum pulls no punches when it comes to what he thinks about our government, corruption and bureaucratic nonsense.

And I wouldn't have suspected it, but Ludlum can indeed be funny. However, alot of his humor is childish, slapstick, back and forth dialogue that no one would ever engage in. His humor is also politically incorrect, so if you are sensitive about that, please take note. At least he is an equal opportunity offender. He touches upon every overused stereotype there is.

I wanted to like this book, but the characters are shallow, and it seems to try way too hard to be funny. But I loved the creativity Ludlum showed. The plot is definitely unique and the characters are quite memorable.

So in conclusion, this book had all the elements to be great, but didn't quite pull it all together.