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About half an hour longer than the 1995 original, Live from New York City expands upon the second act's theme of the Irish leaving their homeland for other parts of the world. In the most engaging new number, "Trading Taps", a trio of Irish dancers faces off against two urban American tappers. While much of this show will be familiar, it's different enough to be enjoyed on its own terms. It's also more stylishly shot, but that's also its biggest drawback--frenetic editing that allows only brief glimpses of the dancers and leaves the viewer dizzy. --David Horiuchi
But the camera work/direction on this version is probably the worst of all the versions I now have on film/tape/DVD. It falls into the obvious trap of failing to give the sense of 'scale' - and all too frequently gives head and shoulders/torso shots when the action is so clearly with the feet. In particular, the 'running taps' routines - as with many of the most animated dances - are lost to clumsy editing and poor choice of shots.
Riverdance is an intensely emotional experience that is driven by the animation, energy, skill and expertise of the dancers. The dancers here are no less talented than all the other versions available. But most of that action takes place from the hips down and, gorgeous as Jean Butler is and handsome and passionate as Colin Dunne is, that ain't where it's all happening.
If you are a fan of Riverdance. you'll want to make sure your collection is complete. But you won't be buying this for its technical excellence or because you can appreciate the dance as it should be.
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