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‘Fidelis Morgan’s tale of love and greed and alchemy in 1699 is a heady compound of wit, wisdom and wildness. It’s an unsentimental warts-and-all portrait that reeks of authenticity, written with a brio that reflects the age’
Val McDermid‘
Hilarious 17th century romp, which combines an authentic slice of history with a tantalising storyline. An authority on the era, Morgan has created an inventive book which wears its learning lightly. Colourful turns of phrase and witty descriptions – like a bawdy P.G. Wodehouse – leave you with a keen sense of the period’ Daily Mail
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It is a fine line between presenting dialogue that is authentic from the 18th Century, and writing so faithfully to every bit of slang then in use so as to make reading a work frustrating to impossible. When I read historical fiction, one of the last burdens I want to have is the constant interruption of language that has become arcane, or footnotes that interrupt the narrative flow. Another failing of some writers is that they take great liberty with the historical figures they place within their fiction. Fidelis Morgan uses Samuel Pepys as a player in her tale, and nothing she portrayed was inconsistent with what I have read of the man.
Her two heroines who are the sleuths are both wonderful, and are a good team while often being the perfect odd couple. This piece has all the drama of hands drenched in blood, blood spouting from public fountains, and bodies that either appear or actually seem to have misplaced some of their parts. The book is fun and entertaining with the author adding enough levity to keep her work from becoming another bloodletting ripper tale. I definitely will be going back to her first work, and I look forward to reading many more
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