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The Rise of the Creative Class--Revisited: 10th Anniversary Edition--Revised and Expanded
 
 

The Rise of the Creative Class--Revisited: 10th Anniversary Edition--Revised and Expanded [Kindle Edition]

Richard Florida
3.3 out of 5 stars  See all reviews (7 customer reviews)

Kindle Price: £11.99 includes VAT* & free wireless delivery via Amazon Whispernet
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Product Description

Review

"An exhaustive study that ought to be read by every city planner and economic developer who wants to thrive in the next century.... It tells us a lot about ourselves, where we've been and where we are going."

Review

"An exhaustive study that ought to be read by every city planner and economic developer who wants to thrive in the next century.... It tells us a lot about ourselves, where we've been and where we are going."

Product details

  • Format: Kindle Edition
  • File Size: 3843 KB
  • Print Length: 434 pages
  • Publisher: Basic Books; 2 edition (26 Jun 2012)
  • Sold by: Amazon Media EU S.à r.l.
  • Language: English
  • ASIN: B0080K3ITW
  • Text-to-Speech: Enabled
  • X-Ray: Not Enabled
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: #221,294 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
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Customer Reviews

3.3 out of 5 stars
3.3 out of 5 stars
Most Helpful Customer Reviews
11 of 13 people found the following review helpful
2.0 out of 5 stars A poor cousin 28 Mar 2005
Format:Paperback
Compared to other texts on the same subject (Manuel Castells; Robert Reich; Jeremy Rifkin) I found this text to be a rather 'trashy' light-weight ego-centric account of the increased stratification of work, employment and society. It is airport-lounge chic-lit, to Castell's magnus opus.
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6 of 7 people found the following review helpful
2.0 out of 5 stars The Horror of the American Workplace 2 Jan 2011
Format:Paperback
This really ought to be called 'The Horror of the American Workplace', given the description of how exploitative American companies appear to be of the very essence of their employees and the organisations with whom they work. According to this book, there is no part of the human being that cannot be put to the service of business. This point aside, Florida's work, despite its profound and irredeemable flaws, is not without interest as a social document demonstrating the intellectual tangle that is created as a means of studying an apparently simple question. Florida's definition of the very class he seeks to identify and call to community action struggles because it simply does not have enough in common with one another to justify the definition. His interpretation of creativity includes anyone with an education and the opportunity to make a living from it, and this is simply too broad: heart surgeons, IT people (whoever they are) and artists are all lumped in as having common cause, but the argument fails because, quite simply, they don't. What they do have is the capacity to make choices for themselves, and in a society transformed by technology and determined by loose social ties they vote with their feet.

The creation of a wage-slave class in the US since the Reagan years is the real problem here, as it entirely wastes the potential and investment in a broad swathe of American society. They are excluded from decision-making (and not from creativity, which they are expected to employ in dealing with their customers), and as such this looks a lot like a straightforward Marxist division of labour. The problem for Americans is that they can't acknowledge this deep split in their social arrangements for two reasons. The first that that the National Story insists that the US is a meritocracy, and the second is that it is the attraction of this story that continues to draw large numbers of immigrants to depress the cost of wages in the service sector. In the end, Florida has missed the point, and obliquely uncovered that those, like himself, with money, possibilities and imagination show no loyalty to anyone when it comes to furthering their self-interest. My astonishment is that it took him so long to find it out, and that so many people needed him to point it out for them.
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10 of 12 people found the following review helpful
4.0 out of 5 stars Insightful! 15 Oct 2003
By Rolf Dobelli TOP 500 REVIEWER
Format:Hardcover
The good news is, Richard Florida’s book recognizes the growing economic and sociological impact of creativity. The bad news is that in just two years, it has lost some of its gloss. The collapse of the bull market, the popping of the dot.com bubble, the 9/11 trauma, each took some shine off of the creative economy, with its casual dress days, flexible schedules and free rides. But even though this appraisal occasionally sounds quaint, we believe that the book’s faith in the transforming economic and social power of creativity, its broad view, and its excellent references and quotations make it worth recommending.
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