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Leading them all is Wayne in one of his most relaxed, iconic performances. He is as straight as a arrow and uncorruptable. What really makes this fun though is his growing romance with Angie Dickinson's saloon moll. Wayne and Dickinson do the usual Hollywood dance, but with enough sassy dialogue and feeling to make one wonder why they didn't appear more together on celluloid. Add to this great action scenes and it all adds up to a great movie.
This is ostensibly John Wayne's film, as he's the star, but the film's main character is really Dean Martin's drunken ex-deputy. His efforts to regain his pride and lost standing, both in his own mind and in the eyes of his friend (Wayne) make up the backbone of the story. Dean Martin, who was never taken seriously as an actor, here gives a terrific performance. His sweaty, humiliated 'Dude' is touching without ever being sentimental. Dude's eventual redemption, when he pursues a wounded gun-man into a bar crowded with men who'd previously laughed at him, is thrilling.
The film nicely undermines Wayne's iconic masculinity. In several scenes, the sheriff finds himself gently mocked by Angie Dickinson's attractive gambler (the one person in the film he can't get the better of). It's also the only film I can think of in which John Wayne kisses another man (a slight peck on the top of Walter Brennan's bald head).
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