This is a CD containing Ricky Nelson's first two albums both released in 1957. Nelson was only 17 at the time, and considering his young age, he sounds musically surprisingly mature on many of these early recordings. On the first album Nelson is backed by seasoned, but excellent studio-musicians like guitarist Joe Maphis and with the Jordanaires backing him vocally on several tracks. The songs are a mixture of Nelson's own rockabilly favourites and softer ballads to please a larger audience and his father Ossie, who played a big role during Nelson's early years as a recording artist. The bubblegum rocker "Be Bop Baby" which was his first Imperial hit-single is one my favourite early Nelson recordings; especially the slightly rougher single version. The Carl Perkins cover "Boppin'the Blues" is also quite good. Among the ballads "I'm Confessin" and "Honeycomb" stand out.
On his second album "Ricky Nelson", Rick is backed by a bunch of younger talented musicians with guitar legend James Burton as the most prominent; most solos though, were still played by Joe Maphis.
It contains a handful of pretty wild rockers featuring great playing by Nelson's "house band"; unfortunately Rick's voice often sound strained or even shrill. This may be due to poor production, but could also indicate that his voice wasn't yet ready for this kind of material. Interesting that one of these rockers, "There Goes My Bay", was written by guitarist James Burton and bassist James Kirkland.
Among the ballads "Someday" has become an all-time Nelson favourite. It was later released as a single and became a no. 9 hit in 1958. Sharon Sheeley's up-beat pop ballad would also be released as a single, and to Rick's big surprise become his first no 1 hit-single. Another outstanding track is Rick's own song "Don't Leave Me This Way" ( my personal favourite on the album ). This was the first recording of a Rick Nelson original and it's interesting that his song-writing is so close to that of Baker Knight's, who would contribute many songs to Nelson's later singles and albums; among them hits like "Lonesome Town", "Never Be Anyone Else" and "Sweeter Than You". A great melodic acoustic guitar-solo from Burton makes this track an even greater recording.
The song-writing Burnette brothers, who also were regular song contributers to Nelson, appear here as writers of the two bonus-track rockers "Waiting in School" and "Believe What You Say"; both hit-singles in 1958. On "Believe What You Say" Rick sounds much more confident than on the album's rockers, and the song features a terrific Burton guitar-solo.
All in all a fine release with informative 12 pages booklet.