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Ms. George's writing holds up surprisingly well in this format considering that she normally pens novels that run 500-600 pages. The charm of her work is that she loves ironies, and provides us with some delicious ones.
In Exposure, Thomas Lynley and Lady Helen are visiting Lynley's aunt while some of the heritage silver is pinched by a tour group. A man dies in the process. Can Lynley sort out the crime before this turns into an even bigger problem?
In The Surprise of His Life, a middle-aged man finds himself having ED problems and grows concerned that his young wife is obtaining satisfaction elsewhere. He becomes obsessed with stopping this cuckolding . . . with unexpected results.
Good Fences Aren't Enough is a sad commentary on how we can become accustomed to anything . . . and actually seek out the perverse. A new neighbor moves in and doesn't keep up the property values. Her neighbors decide to do something about it and get more than they bargained for.
Remember, I'll Always Love You reminds of the best of O'Henry's short stories. Just before he dies, a husband shares that wonderful sentiment with his wife. Only with time can she put the comment into its proper context.
I, Richard is the opposite of the last story . . . about getting a gift that you didn't want but that someone else would assume that you did. It has a wonderful background in historical references to Richard III that will appeal to those who enjoyed The Daughter of Time by Josephine Tey.
The weakness of the stories is that the irony is usually too easy to anticipate. For that reason, Remember, I'll Always Love You works best . . . because the irony is better disguised.
But I'm afraid she's no short story writer.
The collection gets off to a bad start with "Exposure," which ought to be interesting to George fans because of the presence of detective Thomas Lynley. But the story is a mess. I don't understand the perpetrator's motive. The "puzzle" aspect is poorly presented--we're not really given enough of a clue to solve the puzzle ourselves. The perpetrator actually commits two crimes--and I don't believe that the methods used to commit either crime would have worked in real life.
Three of the the stories feature "O. Henry endings," none of which, in my opinion, quite come off.
The title story, "I, Richard" intertwines a sort of pseudo-mystery story concerning the truth about Richard III and the Princes in the Tower, with a modern-day murder story. Unfortunately, to someone who isn't a "Ricardian," the Richard III part is muddled and boring--and the framing murder mystery is unbelievable, except for the ending--which is all too predictable.
Similar motifs recur in several of the stories--giving a slightly stale or repetitious flavor to the collection.
Perhaps the best is "Good Fences Aren't Always Enough," which comes close to being sad and touching. But all of them, even this one, read more like extended jokes than like real stories. The characters in them are paper cutouts. The author's attitude toward her characters is remote and almost contemptuous. She never seems involved with them, nor do we. The stories succeed neither as slices of life nor as clever little clockwork gadgets.
And, incidentally, the book is a rather poor value. There are only five stories in it. It's thin, the type is large, and the lines are widely spaced. By my estimate, it contains roughly about 70,000 words (for [money amount]) or about one-fifth as many as "A Traitor to Memory" ([money amount]). Distinctly short measure, to my way of thinking.
What was very disappointing is that all of these stories have been published previously (one was slightly changed from the original version), but this is not noted anywhere in the book. This slim book appears to be not much more than an attempt to take advantage of unknowing buyers.
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