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‘Beautifully rendered – well written, clear and revelatory’ The Times
‘A capital fairy tale. Pale, anarchic creatures rattle around hung-over patches of London, staking their all in a series of dubious wagers’ Guardian
‘A strange and wonderful novel’ Sunday Times
'An imaginative lowlife tale, told with acuteness and verve’ Literary Review
The first novel from the brilliantly unconventional Nicola Barker is a tale of gambling, allergies, music and dogs, set in some of London’s less scenic locations.
Chance meetings between its cast of eccentric individuals – Ruby the bookie's cashier, violently disturbed (and disturbing) Vincent, Samantha the would-be cabaret singer, wilfully sickly Sylvia and Little Buttercup the never-quite-made-it greyhound – result in the unlikeliest of couples; and there’s always the risk that it could all work out disastrously as characters select each other and try or don’t try to make winning combinations. But, as Ruby, the story’s soft-centred heroine, observes: ‘Losing, that’s the whole point of the gamble.’
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"Reversed Forecast" is apparently a betting term, and gambling is one of the themes of her first novel. The reader is immediately plunged into the now familiar Barkerland: she was only 28 when this was published, but her utterly individual voice is already here; it could be summed up as darkly surreal, Monty Pythonish irony leavened by a surprising human touch (her characters are almost all oddballs, often losers; but she obviously cares about them, and she makes the reader care too). The central character, Ruby, is a likeable soul who experiences fewer difficulties with the business of living than most of Barker's creations: much of the plot concerns her unexpected acquisition of a racing greyhound. The rest of the novel's cast are decidedly odder: Sylvia, who has the bizarre ability to unwittingly attract flocks of birds of all kinds, and who is crippled by the allergic condition Bird Fanciers' Lung; anarchist Vincent; Stephen, who has a thing about Meryl Streep. The plot is (as ever with Barker) complex; but after a variety of darkly tinged mayhem, the ending is upbeat.
"Small Holdings" is shorter and more comic, though still with Barker's characteristic shadowy undercurrents. It involves the lives of a company of gardening contractors as they lose the franchise for the upkeep of a North London park. There's painfully shy Phil, our narrator; manager Doug, quietly going utterly off the rails, who blames the ills of the universe on the failings of the London postcode system; half-blind truck driver Nancy, with whom Phil is in love; fat, cherub-faced Ray... oh yes, and Phil's arch-enemy and tormentor, a female ex-museum curator with only one leg called Saleem. Barker does some utterly extraordinary things with this unlikely cast, and the book contains some remarkable set pieces: Doug's greenhouse-smashing tractor rampage; Nancy's Big Night Out; Saleem's near-seduction of Phil.
Both books are shorter and more anarchic than her later offerings, and to some extent feel like an initial working-out of themes she returns to in her later, meatier books. However, as an introduction to her offbeat world, this is a very attractive package.
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