Between 1989 when Kiss released the pathetic `
Hot in the Shade' and 1992, when they released `Revenge', much had changed. Their second drummer, Eric Carr, tragically died of cancer and the music scene changed dramatically once again. Glamorous pop metal was gone and grunge and dirgey metal and hard rock was in. Nirvana and Metallica were the new kids on the rock block, a situation which ironically, drove Kiss back to a big heavy sound more similar to their roots, though dark and still heavily tinged with their 80s approach.
Once again (and thankfully) they turned to producer Bob Ezrin who had helmed their best album, 1976's `
Destroyer'. He'd also produced their flawed but adventurous `
Music From The Elder' in 1981 and most of Alice Cooper's successful 70s albums. It was a sound decision, with `Revenge' being one of their heaviest albums - and one of their most savage. It is also no coincidence that it shares a sleaze quotient with 1983's `
Lick It Up' - because there is writing input from that album's lead guitarist, Vinnie Vincent (Vincent Cusano). That is the low point of the record - become corny, dirty bad boys to attract more interest.
The majority of the songs, however, are above average to strong on `Revenge', with Ezrin's writing skills all over many of them. A number also feature dueling vocals from Gene Simmons and Paul Stanley, echoing their 70s records. And for the first time in over a decade, the whole record has a coherent, consistent style, even if it lacks a sense of fun.
Things kick off with the sinister, appropriately titled, Simmons/Vincent stage-setter, `Unholy'. It is a fine opener in a not dissimilar vein to Destroyer's `God of Thunder' (or, an attempt to sound like Metallica?!). Unlike most Kiss releases in the 80s, Simmons is also behind a few of the other above average tracks in `Thou Shalt Not', `Domino' and `Paralyzed'. But many sound uncomfortably reminiscent of famous tracks from the likes of Led Zeppelin et al. As usual, Stanley's writing is the strongest and he stamps his relative return to form with rockers `Tough Love', `Heart of Chrome' and, to a lesser extent, `Take it Off'. He is also behind the disappointingly sappy, token, country-tinged ballad, `Every Time I Look at You'. And of course there is the goofy hit, `God Gave Rock `N' Roll to You'. The remaining few tracks are generally improvements on the usual dregs on a Kiss album. There is also a closing drum tribute to Eric Carr.
Though the band is clearly extremely energized, confident and driven on this recording, `Revenge' is mostly too harsh to be classic Kiss. But it was a refreshingly heavy, hard and polished release that put them back in a creditable position for a change.