Douglas E. Winter waited a long while to return
with an anthology to match his excellent Prime
Evil; so rather than retread old ground he creates
a celebration of the coming Millenium. We are left
with Revelations: a volume which brings together
some of the best contemporary horror talent in a
non-genre experiment to build an anthology novel
covering the final century of our current
Millenium. Its scope reaches even beyond this,
with Clive Barker's tale of openings and closures
which wraps about the tales of our century, taking
up to the stirrings of the Millenia we currently
inhabit.
As an anthology it is surpassed by few, and as
a novel it is a work which renews important events
of the previous century ready for the onset of
the future Millenium. So it prises open a few
graves; airs the woes of some of the centuries
ghosts; takes us into the depths of many of our
recent history's defining moments. Natural disasters
and far more human ones, the full range of human
emotion. Each author makes a decade live in the
present for a while, and history phases past with
the turning of each page. What can the future
hold? Where better to look and draw inspiration
from but the past.
Do the authors matter? In a work like this they
should, but the individual voices merely combine
to create a greater whole. Once Barker's unique
vision of the past has receeded we move into the
twentieth century, and a pair of devestating
natural disasters wrought fresh by Joe Lansdale
and David Morrell; storm and pestilance. Next F.
Paul Wilson brings us face to face with one of
the centuries greatest evil, and a man that can
possibly avert it; or can he? Then to the Chinese
Opera, and a secular world from which two young
lovers escape - a collaboration between Poppy Z.
Brite and Christa Faust. Charles L. Grant brings a
unique vision of the man in black and Whitley
Strieber takes us on a nuclear trip. Richard
Christian Matheson takes the seventies and the
charts by storm, with a band who downward spiral
carries them to devestation. David J. Schow and
Craig Spector bring down the Berlin wall, while
the shades of old conflicts look on. It takes
Ramsey Campbell's charting of this, our current
decade, to bring an obscure author into the
limelight with the greatest book ever written; barr
none. So it's over. Yet it is merely the beginning,
so Clive Barker again takes us on his encapsulating
vision.
At the end of this enrapturing journey you have
been shown where we have been and where we are
going, that the darkest of literary visions is
still conscious of the light. A forfilling meal
you'll shelve for perusal again, and again - a
book which will outlast the Millenia that spawned
it.